柏林的资本现实主义艺术

发布时间：2018-05-15 22:04

  本文选题：国际艺术 + 新兴文化　； 参考：《世界美术》2014年04期

【摘要】：正在过去十年里,柏林作为国际艺术中心的重要性日益增加,堪与纽约和伦敦相媲美,这掩盖了德国和美国艺术之间复杂而长期的交流。在这种交流的过程中,德国艺术家同时扮演而又抗拒着他们作为国际艺术"主流"的角色。20世纪的现代主义是欧洲前卫艺术和美国新兴文化与经济势力的一场大战,竞争和协作并存,常常难以区分。深受欧洲文化影响的外籍美国诗人T.S.艾略特和庞德在欧洲发起了一场诗歌现代派运动,并通过异域源头影响了北美文学。从1925年起直到1942年定居美国,马塞尔·杜尚一直生活在巴黎和纽约之间。在1930年代,他与欧洲超现实画派以纽约为基地展开合作,并为他们举办了
[Abstract]:The growing importance of Berlin as an international centre of art over the past decade, comparable to that of New York and London, has masked the complex and long-term exchange between German and American art. In the process of this exchange, German artists simultaneously played and resisted their role as the "mainstream" of international art. Modernism in the 20th century was a major battle between European avant-garde art and the emerging cultural and economic forces of the United States. Competition and cooperation coexist and are often difficult to distinguish. T. S., a foreign American poet deeply influenced by European culture. Eliot and pound launched a poetic modernist movement in Europe and influenced North American literature through exotic sources. Marcel Duchamp lived between Paris and New York from 1925 until he settled in the United States in 1942. In the 1930s, he teamed up with European surrealist schools based in New York and organized
【作者单位】： 江南大学数字媒体学院;
【分类号】：J151.6
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本文编号：1894120