论建立中国民营跨国视觉艺术机构的必要性

发布时间：2018-06-04 20:49

本文选题：民营艺术机构 + 视觉艺术　；参考：《中国艺术研究院》2012年博士论文

【摘要】：本论文分为上、下两篇：上篇深入全面分析了建立中国民营跨国视觉艺术机构的必要性。下篇论述了建立跨国民营艺术机构的可能性,提出了建立跨国民营艺术机构的构想和对策。其中上篇从应对全球文化趋同危机和中国文化认同危机,摆脱西方艺术话语权控制争取主动权,回应西方跨国艺术机构成熟经营模式挑战,寻求改变中国民营艺术机构生存困境,克服中国国营主导的艺术机构“走出去”的局限性五个方面深入分析了中国建立民营跨国视觉艺术机构的必要性。每个方面都进行了深入的论述,上篇构成了论文的主体内容。下篇通过建立跨国民营艺术机构的现实机遇、中国各类艺术机构发展的现实基础来论述中国建立跨国民营艺术机构的可能性。中国建立跨国民营视觉艺术机构政策和策略构想首先从宏观层面提出政府扶持文化艺术发展的法律和行政政策、经济政策和文化政策等政策,其次从微观层面提出了中国民营艺术机构应当采取的各种策略,提供了多种商业模式选择,最后论述完善学术与媒体对中国民营艺术机构跨国经营的支持机制。本论文提出了一些较新的观点：如中国民营视觉艺术机构应该取代政府主导的国有艺术机构成为中国艺术“走出去”的主体；中国建立民营跨国视觉艺术机构具有迫切的必要性；中国政府主导的国有艺术机构“走出去”的局限性日益明显：当前中国民营视觉艺术机构跨国经营具有良好的现实契机；中国文化认同危机应该引起高度重视；中国民营视觉艺术机构跨国经营不仅仅输出中国文化艺术,更要具有国际化视野,融入东道国社会发展的各个领域；目前中国民营视觉艺术机构跨国经营更需要争取在世界艺术市场的主动权和参与权,而不是争夺话语权；中国民营视觉艺术机构跨国经营输出中国艺术品应以当代艺术而不是中国传统艺术为主,等等。
[Abstract]:This paper is divided into two parts: the first part thoroughly analyzes the necessity of establishing private transnational visual arts institutions in China. The second part discusses the possibility of setting up transnational private art organization, and puts forward the conception and countermeasure of setting up transnational private art organization. In the first part, we should deal with the crisis of global cultural convergence and the crisis of Chinese cultural identity, get rid of the control of western art discourse and strive for the initiative, and respond to the challenge of the mature management model of western transnational art institutions. This paper seeks to change the plight of Chinese private art institutions and overcomes the limitations of "going out", which is dominated by the state, and analyzes in depth the necessity of establishing private transnational visual arts institutions in China. Each aspect has carried on the thorough elaboration, the last article has constituted the thesis main body content. The second part discusses the possibility of setting up transnational private art institutions in China through the realistic opportunity of establishing transnational private art institutions and the realistic basis of the development of all kinds of art institutions in China. The policies and Strategies for the Establishment of multinational Private Visual Arts institutions in China first of all, from the macro level, the government puts forward legal and administrative policies, economic policies and cultural policies to support the development of culture and art. Secondly, it puts forward the various strategies that Chinese private art institutions should adopt from the micro level, and provides a variety of business model choices. Finally, it discusses how to perfect the supporting mechanism of academic and media to the transnational management of Chinese private art institutions. This paper puts forward some new viewpoints: for example, the private visual arts institutions in China should replace the state-owned art institutions led by the government to become the main body of Chinese art "going out"; It is urgent for China to set up a private transnational visual arts organization, and the limitations of the state-owned art organization "going out" led by the Chinese government are becoming increasingly obvious: at present, the transnational management of the private visual arts institutions in China has a good practical opportunity; The crisis of Chinese cultural identity should be attached great importance to; the transnational management of Chinese private visual arts institutions should not only export Chinese culture and art, but also have an international perspective and integrate into various fields of social development of the host country. At present, the multinational operation of private visual arts institutions in China needs to strive for the initiative and participation in the world art market, rather than the right to speak. The international management of Chinese private visual arts institutions should focus on contemporary art rather than traditional Chinese art, and so on.
【学位授予单位】：中国艺术研究院
【学位级别】：博士
【学位授予年份】：2012
【分类号】：J124

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