文化创意产业的视塑机能
发布时间：2018-08-03 08:52
【摘要】：站在全球经济语境中，本论文首先独创性的分析出，当下是一种多栖化经济形态背景。在新经济时代里，人们的消费需求早已超越单纯的功能需求，一种融合了信息视觉化、网络化、功能跨界化、时间穿越化的需求形态在市场上逐步出现，基于这些多元消费需求的显现、多种经济的并存以及不稳定的经济现象的出现，笔者提出了多栖化经济形态的概念。多栖化的经济形态中，与以往的历史时期相比，，它具有对文化创新发展的需求，具有文化性消费价值形态的特征，是人文性的、可持续发展的、创新性需求的经济形态意识。它是对人类经济生活方式、文化体验、精神意识的一种汇流集合的经济形态。 在这种经济形态背景中，通过对文化创意产业视塑机能的研究，实现具有抽象特征的文化创意意识到可流通的产业价值的转化，在国际竞争中占据产业链高端地位，实现文化创意产业价值在世界范围内的价值流通，为中国打造文化创意强国形象。 本论文研究的主要课题就是：如何适应当下多栖化经济环境，发展文化创意产业，让文化创意产业在全球范围内实现文化与经济的双重价值，在国际上塑造出中国文化创意产业的强国形象。独创性的研究出：在文化创意产业中运用的视塑机能，是解决多栖化经济形态中文化创意产业发展的一种途径。 笔者从“观察者改变观察结果”的量子物理学概念中得到启示，提出视塑机能这个独创性的概念。它指的是视觉塑造的交互机能，是通过观察与被观察所形成的关系和过程的作用与反作用的场化效应。涵盖了视觉系统所能够观察到、见到的事象和物象，主客体牵引融汇、动静相生相应，观察的主导者既可以改变成为被观察者，同时又会受到其反作用的影响，形成类似于磁场特性的能量交互。在不同的学科领域中，视塑机能有着不同的诠释。对于文化创意产业来说，视塑机能就是把文化创意具有概念性价值的优势，进行商业流通价值的表达与呈现，为经济产生机能性的场化效应，作为文化创意的意识形态通往产业经济化道路的桥梁，调动其相关产业链的挖掘，让文化创意产业驱动经济的发展，通过视塑中国梦，实现中国文化创意经济的崛起。
[Abstract]:Standing in the context of global economy, this paper firstly analyzes the background of multi-perch economy. In the new economic era, people's consumption demand has already exceeded the pure functional demand, a demand pattern that integrates information visualization, networking, function transborder, time traversing gradually appears in the market. Based on the appearance of these multiple consumption demands, the coexistence of various kinds of economy and the emergence of unstable economic phenomena, the author puts forward the concept of multi-perch economic form. Compared with the historical period, it has the characteristics of cultural innovation and development, cultural consumption value, humanism, sustainable development and innovative demand. It is a confluence of economic life style, cultural experience and spiritual consciousness. In this kind of economic form background, through the research on the visual and plastic function of the cultural and creative industries, we can realize the transformation of the cultural creative consciousness with abstract characteristics to the circulating industrial value, and occupy the high-end position of the industrial chain in the international competition. To realize the value circulation of cultural and creative industry in the world, and to create the image of cultural and creative power for China. The main topic of this thesis is: how to adapt to the current economic environment, to develop cultural and creative industries, and to realize the dual value of culture and economy in the global scope. In the international shaping of the image of China's cultural and creative industries as a powerful nation. The original research shows that the visual and plastic energy used in the cultural creative industry is a way to solve the problem of the development of the cultural creative industry in the form of multi-perched economy. The author draws inspiration from the concept of "observer changing observation result" and puts forward the original concept of optoplastic machine energy. It refers to the interactive function of visual shaping, the field effect of the action and reaction of the process and the relationship formed by observation and observed. Covering what the visual system can observe, what it sees and what it sees, where the subject and object are drawn together, and what happens to each other, so that the dominant observer can change to be an observer, and at the same time be influenced by its counteraction. Forms an energy exchange similar to that of a magnetic field. In different disciplines, the plastic machine can have different interpretations. For the cultural and creative industries, the ability to view plastic is to express and present the value of commercial circulation by making cultural creativity have the advantage of conceptual value, so as to produce a functional field effect for the economy. As a bridge between the ideology of cultural creativity and the road of industrial economization, we can mobilize the mining of related industrial chain, let the cultural and creative industries drive the development of economy, and realize the rise of Chinese cultural creative economy through Chinese Dream.
【学位授予单位】：大连工业大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：G124
[Abstract]:Standing in the context of global economy, this paper firstly analyzes the background of multi-perch economy. In the new economic era, people's consumption demand has already exceeded the pure functional demand, a demand pattern that integrates information visualization, networking, function transborder, time traversing gradually appears in the market. Based on the appearance of these multiple consumption demands, the coexistence of various kinds of economy and the emergence of unstable economic phenomena, the author puts forward the concept of multi-perch economic form. Compared with the historical period, it has the characteristics of cultural innovation and development, cultural consumption value, humanism, sustainable development and innovative demand. It is a confluence of economic life style, cultural experience and spiritual consciousness. In this kind of economic form background, through the research on the visual and plastic function of the cultural and creative industries, we can realize the transformation of the cultural creative consciousness with abstract characteristics to the circulating industrial value, and occupy the high-end position of the industrial chain in the international competition. To realize the value circulation of cultural and creative industry in the world, and to create the image of cultural and creative power for China. The main topic of this thesis is: how to adapt to the current economic environment, to develop cultural and creative industries, and to realize the dual value of culture and economy in the global scope. In the international shaping of the image of China's cultural and creative industries as a powerful nation. The original research shows that the visual and plastic energy used in the cultural creative industry is a way to solve the problem of the development of the cultural creative industry in the form of multi-perched economy. The author draws inspiration from the concept of "observer changing observation result" and puts forward the original concept of optoplastic machine energy. It refers to the interactive function of visual shaping, the field effect of the action and reaction of the process and the relationship formed by observation and observed. Covering what the visual system can observe, what it sees and what it sees, where the subject and object are drawn together, and what happens to each other, so that the dominant observer can change to be an observer, and at the same time be influenced by its counteraction. Forms an energy exchange similar to that of a magnetic field. In different disciplines, the plastic machine can have different interpretations. For the cultural and creative industries, the ability to view plastic is to express and present the value of commercial circulation by making cultural creativity have the advantage of conceptual value, so as to produce a functional field effect for the economy. As a bridge between the ideology of cultural creativity and the road of industrial economization, we can mobilize the mining of related industrial chain, let the cultural and creative industries drive the development of economy, and realize the rise of Chinese cultural creative economy through Chinese Dream.
【学位授予单位】：大连工业大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：G124
【共引文献】
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