越窑青瓷水盂（砚滴）的仿烧—中国传统文房器物研究之一

发布时间：2018-07-09 10:12

本文选题：越窑青瓷 + 文房器　；参考：《中国艺术研究院》2017年硕士论文

【摘要】：越窑是中国古代最有代表性的青釉瓷器窑系之一,越窑青瓷历经自东汉创烧到唐、五代的鼎盛直至南宋断烧,一直引领我国宋以前瓷器尚青的潮流。在断烧八百多年后,我们在原产地又以现代科技和技术手段为基础,复烧了高度模仿传统越窑青瓷并加以创新的现代越窑青瓷。传统文房器是自古以来文人的必备心爱之物,它们在一定意义上承载着文化、艺术、历史的变革和发展。水盂(砚滴)作为向砚中注水的器具,有着举足轻重的作用,其发展和演变的过程也反映出中国人对文房器物审美的变化。越窑青瓷文房器以其质朴、古拙的自身特点,传递给人们以含蓄、古朴的厚重美感。作者通过对越窑文房器的研究和现代越窑青瓷意义上的仿烧,希望引起人们对高古瓷器尤其是高古文房陶瓷器物的关注和品鉴。
[Abstract]:Yue kiln is one of the most representative celadon porcelain kilns in ancient China. It has been burned from the Eastern Han Dynasty to the Tang Dynasty, and from the peak of the five dynasties to the Southern Song Dynasty. After more than 800 years of broken burning, we have reburned the modern Yue kiln celadon, which highly imitates and innovates the traditional Yue kiln celadon, on the basis of modern science and technology and technological means. Since ancient times, the traditional literary objects are the necessary beloved objects of literati. They carry the change and development of culture, art and history in a certain sense. As an instrument for injecting water into ink stone, water pan (ink stone) plays an important role, and its development and evolution also reflect the aesthetic changes of Chinese cultural objects. Yue kiln celadon ware with its simple, ancient and clumsy own characteristics, pass to people with implicit, simple and heavy aesthetic sense. The author hopes to arouse people's attention and taste to the high ancient porcelain, especially to the ceramic objects of the high ancient literary room, through the research on the article ware of the Yue kiln and the imitation of the celadon in the sense of the modern Yue kiln celadon.
【学位授予单位】：中国艺术研究院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：TQ174.65

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