论洛阳唐三彩烧制技艺的活态流变性

发布时间：2018-03-31 22:01

本文选题：非物质文化遗产　切入点：洛阳　出处：《中国艺术研究院》2017年硕士论文

【摘要】：唐三彩是一种低温釉陶器,特指唐代(618-907年)的文物。“三彩”不仅仅是指黄、绿、白三种颜色,它还含有多彩之意。唐三彩烧制技艺是一门传统手工艺,需要经过深入学习、长期实践才能掌握。它既包括如何烧制完成唐三彩器物的一系列工艺流程,还包括深厚的文化内涵。唐三彩烧制技艺2008年被列入第二批国家级非物质文化遗产名录,它的申报单位和项目保护单位都在洛阳,且洛阳唐三彩烧制技艺具有代表性。本文以洛阳唐三彩烧制技艺为研究对象,在文献查阅与田野调查基础上,分析了它在非物质文化遗产保护语境下活态流变过程,并且尝试对遇到的问题提出对策和建议。洛阳是华夏文明的滥觞之地。隋唐时期,洛阳与长安并称东西二都,加之,洛阳是丝绸之路的东方起点,这里富贾云集,文化繁荣。当时厚葬之风盛行,陶瓷技艺进一步发展,唐三彩便成为极具洛阳地域特色的文化表现形式。在洛阳,目前从事唐三彩烧制技艺的有美陶三彩工业有限公司、南石山村仿古修复集聚区、三彩艺创意园区,它们形成了社区和群体,具有较高的文化认同感。洛阳唐三彩烧制技艺的活态性体现在传承人的手工实践活动中,流变性体现在技艺流程、工具、器物造型与功能等方面。目前洛阳唐三彩烧制技艺在活态性与流变性方面存在后继乏人、不良竞争、造型趋同、粗制滥造的问题。针对以上问题,本文提出如下对策:加强年轻传承人培养,传承人之间良性竞争,坚持手工实践,提升文化自觉。
[Abstract]:Three colors are not only yellow, green and white, but also colorful.Tang three-color firing technology is a traditional handicraft, need thorough study, long-term practice to master.It includes not only a series of technological processes on how to make three-color objects of Tang Dynasty, but also profound cultural connotations.Tang Tri-color firing technology was listed in the second batch of national intangible cultural heritage list in 2008, its declaration units and project protection units are in Luoyang, and Luoyang Tri-color firing technology is representative.On the basis of literature review and field investigation, this paper takes Luoyang Tri-color firing technique as the research object, analyzes its changing process in the context of intangible cultural heritage protection, and tries to put forward countermeasures and suggestions to the problems encountered.Luoyang is the origin of Chinese civilization.During the Sui and Tang dynasties, Luoyang and Chang'an said that both East and West were the two capital. In addition, Luoyang was the oriental starting point of the Silk Road, where the rich gathered and the culture flourished.At that time, the popular style of burial, ceramic technology further development, Tang Sancai has become a very regional characteristics of Luoyang cultural expression.In Luoyang, currently engaged in the Tang Dynasty Sancai Sancai Industrial Co., Ltd., Nanshishan Village antique restoration gathering area, three color art creative park, they formed a community and group, with a high cultural identity.The liveliness of Luoyang Tri-color firing technique is embodied in the manual practice of inheriting people, and the rheology is embodied in the process of craft, the tool, the shape and function of the utensils and so on.At present, Luoyang Tri-color firing technique has the problems of lack of successors, bad competition, similar modeling and shoddy making in the aspect of livability and rheology.Aiming at the above problems, this paper puts forward the following countermeasures: strengthening the cultivation of young inheritors, healthy competition among inheritors, insisting on manual practice and promoting cultural consciousness.
【学位授予单位】：中国艺术研究院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：TQ174.65

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