数字图像艺术中的技术与艺术研究

发布时间：2018-05-19 00:17

  本文选题：数字图像技术 + 艺术　； 参考：《北京电影学院》2017年博士论文

【摘要】：数字图像在现阶段已经发展成为我们生活中不可分割的一部分,它的高效、快捷以及它与传统行业互相影响的特性使得它迅速成为一种应用广泛的图像形式。在时代的变迁中,我们总是要面对不同的工具、不同的手段给我们这个世界带来的视觉上、感观上的新变化,数字图像则是在现阶段应运而生的展示手段。数字图像作为一种媒介,它源于计算机科学,但数字图像艺术还作为带有数字特征的图像艺术具有独特的历史发展传承。它可以追溯到我们人类对于复制的理解以及对于传播的渴望。区别于传统图像艺术门类,数字图像艺术拥有其自身的特点。随着计算机科技以及其相关行业的发展,数字图像艺术借助数字手段从诞生距今也仅仅几十年的历史。从艺术角度上讲,我们面对新手段创造的图像时,对其所展现出来的魅力就提出了新的审美需求。通过对视觉上所涉及的元素加以分析归类,以期待最终找到一条通往深入体验的路径。数字图像可分为载体的部分、呈现部分、流通部分三个大方向。而这三个方向中都涉及数字技术手段演变的过程。所以研究数字图像艺术本身也会涉及对于其使用设备与技术的研究,它为数字图像艺术提供一种技术层面的新角度。在本篇论文中,梳理出了关于数字图像技术与艺术发展的历史时间纵轴。数字图像艺术之所以能够称为艺术,是因为在其自身的发展变化中形成了一套有别于历史当中其他艺术语言的特性:在重复性当中出现了重复的特性;可变性中又蕴藏着交相互动的特性;在网络世界中易传播性,存储设备的易用性上,数字图像以及数字图像艺术都具有独特的优势。我们建构的数字图像世界是一个虚拟世界,它有易失性,为了维持显示还需要不竭的能源。图像属于视觉文化研究的一个分支,它就是要在那些属于现象的部分中寻找到其存在的意义,所以通过对于数字图像艺术的观察以及对于其相关联的专业技术领域的探究,我们在其结构的内部发现了可以供我们与当下真实世界相对照的部分。我们通过类比进入到一个可以进行比较分析的新的虚拟审美当中。并且对其最终要与真实世界相混合的事实进行剖析,得出结论。思想外化与屏幕内化之间的转换,最终形成数字图像艺术的技术和艺术两大部分。它紧紧地与我们所在的真实世界相连接。在研究的过程中突出强调了不同手段所带来的不同意义。最终实现数字图像艺术的分类,来达成我们可以深入其中探索的目的。数字图像艺术来源于艺术家以及科学技术人员甚至是科学家的共同配合,所以它不仅在现阶段提供了新的观看方式,日后也定会在新的领域中出现更多、更新的呈现形式。我们也可以从数字图像艺术研究的领域中去判断未来图像之可能。历史在螺旋式的台阶上不断向前,我们现在也正在以几何级的速度向未来前进。人工智能、大数据算法的出现都为未来的数字图像发展展现出了新的前景,就像尤瓦尔·赫拉利《未来简史》中为我们描绘的未来世界类似,通过算法延伸出未来数字图像和数字图像艺术。
[Abstract]:Digital image has developed into an inseparable part of our life at this stage. Its efficiency, speed, and its interaction with the traditional industry make it a widely used image form. In the change of the times, we always have to face different tools and different means to give us the world belt. As a kind of media, digital image, as a medium, is derived from computer science, but digital image art also has a unique historical development as a digital image art. It can be traced to our human reproduction theory. Different from the traditional image art class, the digital image art has its own characteristics. With the development of computer technology and its related industries, digital image art is only a few decades since the birth of the digital image art. From the angle of art, we face the images created by new means. It puts forward a new aesthetic demand for the charm it shows. Through the analysis and classification of the elements involved in the vision, we can expect to find a path to the deep experience. The digital image can be divided into the part of the carrier, the presentation part and the circulation part of the three major directions. In these three directions all the digital technicians are involved. The study of digital image art itself also involves the study of its equipment and technology, which provides a new angle of technology for digital image art. In this paper, the longitudinal axis of the history of digital image technology and the development of art is combed. Art is because of its own development and changes in the formation of a set of characteristics different from the other art languages in history: duplication of characteristics in the repetition; variability also contains the characteristics of interactivity; in the network world, the ease of transmission, the ease of use of storage devices, digital images and digital image Art It has a unique advantage. The digital image world is a virtual world. It has the inability to maintain the energy in order to maintain the display. The image belongs to a branch of the visual culture research. It is to find the meaning of its existence in those parts of the phenomenon, so the view of the art of digital image is achieved. As well as the exploration of the field of expertise associated with it, we find in its structure the part that we can compare with the present real world. By analogy, we enter a new virtual aesthetic that can be compared and analyzed. And the fact that it is finally mixed with the real world is made. Analysis, draw a conclusion. The transformation between thought externalization and screen internalization will eventually form two parts of the technology and art of digital image art. It is closely connected with the real world in which we are located. In the process of research, the different meanings of different means are emphasized. The final realization of the classification of digital image art is to achieve me. Digital image art comes from the collaboration of artists, scientists and scientists, and even scientists, so it not only provides a new way of viewing at the present stage, but will also have more and more new forms in the new field in the future. We can also study the digital image art. The possibility of judging future images in the field. History is moving forward on the spiral steps. We are now moving forward at a geometric speed. Artificial intelligence and large data algorithms show a new prospect for the development of future digital images, like we depict us in the future brief history of M Grali. Similar to the future world, the algorithm will extend the future digital image and digital image art.
【学位授予单位】：北京电影学院
【学位级别】：博士
【学位授予年份】：2017
【分类号】：TP391.41
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本文编号：1907854