新中式空间陈设艺术设计研究

发布时间：2018-03-22 19:40

本文选题：新中式　切入点：陈设艺术　出处：《山东工艺美术学院》2013年硕士论文　论文类型：学位论文

【摘要】：论文由中国传统文化和传统美学思想入手，分析了新中式空间陈设艺术设计产生的文化渊源，提出了“新”的概念。同时研究了新中式空间陈设艺术设计的理论基础，深入探索了它与传统人文因素的内在关系和表现形式。目的是建立符合现代审美的“新”中式空间陈设艺术设计的理论体系，不仅扬弃了中国传统文化，也试图给现代风格陈设艺术和传统中式风格的陈设艺术提供相关的参考。对“新”概念的提出及文化背景做了浅析，对“新”的含义理解的基础上，创造了把传统人文因素的传统哲学思想和传统心理美学与现代空间融合的新中式空间陈设艺术设计形式，并分析新中式风格在陈设艺术设计的表现形式。主要采用观察法、文献调研法、经验总结法、定性分析法、跨学科研究法进行研究。通过理论分析与实际案例相结合，从传统人文因素和美学观念以及传统中式风格室内设计和陈设设计的研究着手研究，探讨它们的相互的内在逻辑关系以及表现形式和实际应用。在“新”中式空间陈设艺术设计与传统人文因素的内在关系的研究上，传统人文因素对新中式风格产生了基础性的作用。从人文的角度来讲，陈设品除了其使用功能和观赏功能之外还被设计师和使用者们赋予了一定的精神内涵和人文属性。陈设艺术可以丰富空间的文化内涵；地域文化和民族特色也在陈设艺术中受到重视；可持续发展的“共赢”系统也使新中式空间陈设艺术设计走向一条人、自然和社会协调整体的生态系统。传统元素的使用、传统原理的借鉴和应用、陈设空间不同场所功能的布置等方面是新中式空间陈设艺术设计的表现形式，最终创造一个具有传统诗情画意的意境美的空间，，做到陈设品与装饰构件不仅满足使用功能和装饰美学的要求，在统一室内风格的整体上，各个元素之间也要互相协调，不能相悖于空间整体。遵循传统设计原则并把创新设计与传统思想进行互补是新中式空间陈设艺术设计的理论基础。坚持适中、和谐、统一、实用、以人为本的思想。新中式空间陈设艺术设计要与时代的脉搏相融，注重时代的新需求和新发展方向。生态的设计理念是促进人、人居环境、自然与设计和谐统一发展是必不可少的重要方面；以服务为核心的设计形式正在萌芽发展，它主张设计不应被特定的技术和材料束缚，应提供更深层次的服务设计，追求以最少的资源损耗和物质产出保证大家的生活质量，最终达到可持续发展的目的。这一点与传统文化中道家的哲学思想相契合。本文也列举了一些实例来解说分析，直观有力的验证章节的论点和研究成果。
[Abstract]:Starting with Chinese traditional culture and traditional aesthetic thought, this paper analyzes the cultural origin of the new Chinese space display art design, puts forward the concept of "new", and studies the theoretical basis of the new Chinese space display art design. This paper probes deeply into its internal relationship with traditional humanistic factors and its forms of expression, the purpose of which is to establish a theoretical system of "new" Chinese space display art design, which conforms to the modern aesthetics, and not only to sublate the traditional Chinese culture, but also to put aside the traditional Chinese culture. It also tries to provide relevant reference for modern style display art and traditional Chinese style display art. It also analyzes the concept of "new" and its cultural background, on the basis of understanding the meaning of "new". Has created the new Chinese space display artistic design form which combines the traditional humanistic factor traditional philosophy thought and the traditional psychology esthetics with the modern space, and analyzes the new Chinese style in the display art design expression form. Literature research method, experience summary method, qualitative analysis method, interdisciplinary research method. Through theoretical analysis and practical cases, From the traditional humanistic factors and aesthetic concepts, as well as the traditional Chinese style interior design and furnishings design research, This paper probes into their internal logical relations, their forms of expression and their practical applications. In the study of the inherent relationship between the artistic design of the "new" Chinese space furnishings and the traditional humanistic factors, Traditional humanistic factors play a fundamental role in the new Chinese style. From a humanistic point of view, In addition to its use and viewing functions, the furnishings are endowed by designers and users with certain spiritual connotations and humanistic attributes, which can enrich the cultural connotations of space. Regional culture and national characteristics have also been attached importance to in the display art; the "win-win" system of sustainable development has also made the art design of new Chinese space display move towards an ecosystem of human, natural and social harmony, and the use of traditional elements. Using the traditional principle for reference and application, the layout of the different functions of the display space is the expression form of the new Chinese style space display art design, and finally creates a space with traditional poetic and picturesque beauty of artistic conception. To ensure that furnishings and decorative components not only meet the requirements of use functions and decorative aesthetics, but also coordinate with each other in the unity of indoor style. Following the traditional design principle and complementing the creative design with the traditional thought is the theoretical basis of the new Chinese space display art design. The new Chinese space display art design should be in harmony with the pulse of the times, pay attention to the new needs and new development direction of the times. The harmonious and unified development of nature and design is an essential and important aspect. The design form with service as the core is springing up and developing. It argues that design should not be bound by specific technology and materials, but should provide deeper service design. The pursuit of ensuring the quality of life with the least loss of resources and material output, and finally achieving the goal of sustainable development, is in line with the philosophy of Taoism in the traditional culture. This paper also lists some examples to explain and analyze. Intuitively and forcefully verify the chapter's arguments and research results.
【学位授予单位】：山东工艺美术学院
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：TU238.2

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