当代西方建筑符号的审美研究

发布时间：2018-03-28 15:28

本文选题：当代西方建筑　切入点：建筑符号　出处：《哈尔滨工业大学》2013年博士论文

【摘要】：在“第二媒介时代”的创作视域下，当代建筑已演化成一种抽象的隐喻符号，并藉由其兼具信息、交流、叙事、批判与多元化的媒介新属性，进而在当代建筑领域中引发一场以媒介符号为审美主体的“图形学转向”。而作为对这种新兴创作趋势的研究，本文则以符号化的“建筑语言”为切入点，，并通过探讨建筑艺术与语言的相似性，以及对新型技术策略与美学观念的考量，从而建构一种以“语言学转向”影响下所出现的“符号学转向”与“美学转向”为哲学基础、数字化建构及复杂性科学为技术与理论基础的当代西方建筑符号审美研究体系，并借此分析在后工业社会、数字化建造以及后现代哲学的现实语境中，引发这种新兴建筑思潮的深层原因，以及基于新型创作理念下所出现的各项美学规律与审美活动。在此基础上，本文采用语言学分析语言的方式，分析建筑符号的语言系统所具备的美学品质，从而以元美学作为技术路线，试图藉由美学原理、对象描述、艺术技巧描述、心理描述以及审美评价的逻辑建构，对当代西方建筑符号的审美体系进行概念界定，并以此选用当代语言哲学中语体学、语汇学、语构学、语义学与语用学五项理论分支，不但强调结合符号学能指、所指和意指的美学概念，探讨建筑符号所应遵循的美学原理，而且还建构起包括描述构件元素形式的建筑语汇符号、描述构件组织关系的建筑语构符号、描述构件观念内容的建筑语义符号，以及描述构件存在现象的建筑语用符号在内的当代西方建筑符号语言系统及其在艺术创作中所开展的诸项审美活动。作为对上述四种建筑符号类型发生审美活动所呈现美学特征的分析，本文则借助艺术符号美学与现象学中表象、意象、幻像及本象的美学概念，从而不但指出建筑语汇符号与元素形式的物象表现、建筑语构符号与组织关系的意象表现、建筑语义符号与观念内容的幻像表现、建筑语用符号与存在现象的本象表现之间具备的对应关系，而且还藉此分析与梳理建筑语汇符号物象表现、建筑语构符号意象表现、建筑语义符号幻像表现以及建筑语用符号本象表现所指代的新兴美学特征，并在此基础上，实现对当代西方建筑符号审美体系及其艺术创作的美学表现进行系统建构与理性表达。
[Abstract]:In the field of creation of the second Media Age, contemporary architecture has evolved into an abstract metaphorical symbol, with its new attributes of information, communication, narration, criticism and pluralism. In the field of contemporary architecture, it leads to a "graphic turn" in which the media symbol is the aesthetic subject. As a study of this new creative trend, this paper takes the symbolic "architectural language" as the breakthrough point. By discussing the similarity between architectural art and language, as well as the consideration of new technical strategies and aesthetic concepts, we can construct a kind of philosophical foundation based on the "semiotic turn" and "aesthetic turn" under the influence of "linguistic turn". The modern western architectural symbol aesthetic research system based on digital construction and complexity science is analyzed in the realistic context of post-industrial society, digital construction and postmodern philosophy. The deep causes of this new architectural trend of thought, as well as various aesthetic laws and aesthetic activities based on the new creative concept. On this basis, this paper analyzes the aesthetic quality of the language system of architectural symbols by means of linguistic analysis of language, thus taking meta-aesthetics as the technical route, trying to use the principles of aesthetics, object description, and artistic skills to describe. Based on the logical construction of psychological description and aesthetic evaluation, this paper defines the aesthetic system of contemporary western architectural symbols, and selects five theoretical branches of contemporary language philosophy, such as stylistics, lexicology, lexicology, semantics and pragmatics. It not only emphasizes the aesthetic concepts of semiotics signifier, signified and implied, but also discusses the aesthetic principles to be followed by architectural symbols, and constructs architectural lexical symbols including the description of element forms of components. The architectural construction symbols that describe the organizational relationship of components, the architectural semantic symbols that describe the contents of component concepts, And the contemporary western architectural symbol language system including architectural pragmatic symbols which describe the existence of components and its aesthetic activities in artistic creation. As an analysis of the aesthetic characteristics of the aesthetic activities of the four architectural symbols, this paper makes use of the aesthetic concepts of representation, image, illusion and original image in art symbol aesthetics and phenomenology. Thus it not only points out the representation of objects in the form of architectural lexical symbols and elements, the image expression of the relationship between architectural construction symbols and organization, the illusion of architectural semantic symbols and the contents of ideas. The corresponding relationship between architectural pragmatic symbols and the original manifestation of existential phenomena is also analyzed and combed, and the expression of architectural symbols is analyzed and combed, as well as the expression of architectural syntactic symbols. On the basis of the new aesthetic features referred to by the phantom representation of architectural semantic symbols and the original representation of architectural pragmatic symbols, To realize the systematic construction and rational expression of the aesthetic system of contemporary western architectural symbols and their artistic creation.
【学位授予单位】：哈尔滨工业大学
【学位级别】：博士
【学位授予年份】：2013
【分类号】：TU-80

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