曼茶罗原型图式与现代建筑创作

发布时间：2018-03-30 06:30

本文选题：曼荼罗　切入点：原型　出处：《中央美术学院》2013年硕士论文

【摘要】：随着中国的全面崛起和复兴,国家建设对建筑领域提出了巨大的需求。如何创作出具有传统文化底蕴和审美内涵的建筑,成为每一名中国建筑师和相关学者关切的话题。同时,现代文明对传统文化产生了强烈冲击,这在建筑领域表现的尤为突出,缺乏情感的建筑和脱离文脉的城市随处可见,并在肆无忌惮的扩张,历史和传统在现代建筑中被不断的剥离。这已经引起了人们广泛的忧虑,亟需找到一种方式来平衡建筑中传统与现代的关系。面对这些问题和需要,笔者希望从历史和文化中找到答案和解决途径。因此,论文引入了佛教密宗的神秘宇宙构图——“曼荼罗”,进而通过对“曼荼罗”的研究来解答现代建筑发展中的困惑。首先,结合荣格的“原型”理论,对“曼荼罗”进行研究和探讨,说明其原型图式在人类审美价值中的普适性和永恒性；其次,结合古代建筑文化中表象出来的曼荼罗式设计思想,证明曼荼罗原型图式在建筑创作中的巨大实用价值和精神价值,并归纳出对其进行有意识或无意识运用的两种方式；接着,将“曼荼罗”的概念延展到现代建筑设计领域。找到在创作中运用曼荼罗原型图式的代表性现代建筑师,如路易斯·康、查尔斯·柯里亚、马里奥·博塔和里卡多·波菲尔等,通过对这些建筑师设计思想的解读,和对他们代表性作品的分析,总结出他们设计中运用历史元素的基本原则和手段,指导中国的建筑创作实践；最后,通过笔者对“曼荼罗”的理解,完成一个现代曼荼罗式建筑的设计,来证明本文理论对实践的指导意义。将曼荼罗原型图式运用于现代建筑创作之中,是当代中国建筑创作的深层结构内传统建筑精髓的显现。
[Abstract]:With the overall rise and renaissance of China, the construction of the country has put forward a huge demand in the field of architecture. How to create architecture with traditional culture and aesthetic connotation has become a topic of concern to every Chinese architect and related scholars. Modern civilization has had a strong impact on the traditional culture, which is particularly prominent in the field of architecture. The lack of emotional architecture and isolated cities can be seen everywhere, and they are expanding brazenly. History and tradition have been separated from each other in modern architecture, which has caused widespread concern, and it is urgent to find a way to balance the relationship between tradition and modern architecture. In the face of these problems and needs, the author hopes to find answers and solutions from history and culture. This paper introduces the mysterious cosmic composition of Buddhist tantrums-"mandala", and then solves the puzzles in the development of modern architecture through the study of "mandala". First, combining Jung's theory of "archetype", this paper studies and discusses the "mandala". It explains the universality and permanence of its archetypal schema in human aesthetic value. Secondly, it combines the mandala design thought of the appearance in ancient architectural culture. To prove the great practical and spiritual value of the mandala archetypal schema in architectural creation, and to sum up two ways to use it consciously or unconsciously. To extend the concept of "mandala" to the field of modern architectural design. Find representative modern architects, such as Louis Conn, Charles Correa, Mario Botha and Ricardo Pauffel, who use the prototype schemata of mandala in their creation. Through the interpretation of these architects' design ideas and the analysis of their representative works, the basic principles and means of using historical elements in their design are summarized to guide the architectural creation practice in China. Through the author's understanding of "mandala", the author has completed the design of a modern mandala architecture to prove the guiding significance of this theory to practice. The application of mandala archetypal schema to modern architectural creation is the manifestation of the essence of traditional architecture in the deep structure of contemporary Chinese architectural creation.
【学位授予单位】：中央美术学院
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：TU-86

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