武汉与恩施地域性民俗景观符号之比较

发布时间：2018-04-16 14:42

本文选题：地域性 + 民俗景观　；参考：《武汉理工大学》2013年硕士论文

【摘要】：随着现代化建设的不断推进,以及不同民族、地区之间经济文化交流的日益频繁,尤其是西方现代设计思想在发展中国家的不断渗透,各地区建筑和景观设计日益趋同,城市发展缺乏特有的地域性文化内涵。深入挖掘和发扬地区优秀传统文化,将民俗文化融入现代建设当中,已经成为越来越多的地区和民族寻求突破式、特色化发展的新要求。湖北地区是我国承东启西、连南接北的交通枢纽,更是中华楚文化的发源地。该地区经济发展东西差异较大,但各市州文化一脉相承,底蕴深厚。选取东部相对发达的“武汉”和西部欠发展的“恩施”为对象进行地域性民俗景观符号研究和对比分析,对各地区如何通过景观设计进行传承和发扬民俗文化,具有广泛的参考价值。全文主要分为五个部分。第一部分为绪论。阐述了本课题的主要研究的目的和意义以及对国内外相关研究现状进行了梳理和总结。着重阐释了地域性、民俗景观、民俗景观符号等基本概念和部分关系理论进行阐述。第二部分为恩施地区地域性民俗景观符号探究。主要是通过文献研究和田野调查的方法,对恩施地域性民俗景观及其符号进行了归纳总结。重点以恩施土司城和大水井为例来论述恩施地区地域性民俗景观符号的类型、内涵及其表现特征。第三部分为武汉地区地域性民俗景观符号探究。主要也是通过文献研究和田野调查的方法,对武汉地域性民俗景观及其符号进行了归纳总结。重点以武汉东湖楚城和大余湾为例来论述恩施地区地域性民俗景观符号的类型、内涵及其表现特征。第四部分是武汉与恩施地区民俗景观符号的比较分析。该部分为全文核心点,主要是从民俗景观符号的文化内涵出发,以地域代表性民俗景观为案例,结合不同的景观类型,从景观符号的地域性、民族信仰、两地景观类型文化和地域性景观表现手法四个方面对两地区民俗景观符号进行了对比分析,并最后提出了两地区民俗景观符号的交融趋势。第五部分为案例分析。主要是围绕团队的一项实际研究项目进行案例阐述,希望通过如何将恩施当地少数民族的民俗文化内涵凝练成景观符号,地域性民俗符号在现代景观设计中的运用带来一定启发。本文希望通过对武汉与恩施两个具有代表湖北省地区的民俗传统文化的城市发展为基础进行地域性民俗景观符号的比较对比,从景观设计发展的传统与现代相结合的传承思想方法上,解决城市因不断发展而缺失的地域性文化特色问题。着重探究地域性民俗景观符号在现代景观设计中的应用与传承。本文最后进行了总结与展望,提出了全文的创新之处,也指出了研究的不足和有待进一步研究思考的地方。
[Abstract]:With the development of modernization and the frequent economic and cultural exchanges among different nationalities and regions, especially the infiltration of modern western design ideas in the developing countries, the architecture and landscape design of different regions converge day by day.The urban development lacks the unique regional cultural connotation.It has become a new requirement for more and more regions and nations to explore and carry forward the excellent traditional culture of the region and to integrate the folk culture into the modern construction, which is the new requirement for the breakthrough and characteristic development of more and more regions and nationalities.Hubei is the transportation hub connecting east to west and south to north, which is the birthplace of Chinese Chu culture.The economic development of this region is quite different from east-west, but the culture of each city and state is of the same origin and profound inside information.This paper selects "Wuhan", which is relatively developed in the east, and "Enshi", which is underdeveloped in the west, as the object of study and comparative analysis of regional folklore landscape symbols, and how to inherit and develop folklore culture through landscape design in various regions.It has extensive reference value.The full text is divided into five parts.The first part is the introduction.The purpose and significance of this research and the status quo of related research at home and abroad are summarized.The basic concepts of regionality, folklore landscape, folk landscape symbol and some relation theories are expounded.The second part is the study of regional folklore landscape symbols in Enshi area.This paper summarizes the regional folklore landscape and its symbols in Enshi by the methods of literature research and field investigation.Taking Enshi Tusi City and Daxi well as examples, this paper discusses the types, connotations and characteristics of regional folk customs landscape symbols in Enshi area.The third part is the study of regional folklore landscape symbols in Wuhan area.It also summarizes the regional folklore landscape and its symbols in Wuhan by the methods of literature research and field investigation.This paper mainly discusses the types, connotations and characteristics of regional folk customs landscape symbols in Enshi area with the examples of Chucheng City and Dayu Bay in East Lake, Wuhan.The fourth part is the comparative analysis of folk landscape symbols in Wuhan and Enshi.This part is the core point of the full text, mainly from the cultural connotation of the folk landscape symbol, taking the regional representative folk custom landscape as a case, combining with different landscape types, from the regional landscape symbol, the national belief,This paper makes a comparative analysis on the folk landscape symbols of the two regions from four aspects of landscape type culture and regional landscape expression techniques and finally puts forward the blending trend of the folk landscape symbols in the two regions.The fifth part is case analysis.Mainly around a team of practical research projects to illustrate the case, through the hope of how Enshi local ethnic minority folk culture connotation condensed into landscape symbols,The application of regional folklore symbols in modern landscape design brings some inspiration.This article hopes to carry on the regional folk custom landscape symbol comparison through the Wuhan and the Enshi two cities which has the representative Hubei Province folk custom traditional culture development as the foundation,Based on the traditional and modern tradition of landscape design development, this paper solves the problem of the regional cultural characteristics that the city lacks because of the continuous development.This paper focuses on the application and inheritance of regional folk landscape symbols in modern landscape design.At the end of this paper, the author makes a summary and prospect, puts forward the innovation of the full text, and points out the deficiency of the research and the place to be further studied and pondered.
【学位授予单位】：武汉理工大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：K892.4;TU986

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