魏晋玄学影响下传统园林美学范畴的构建
发布时间：2018-12-07 10:39
【摘要】：古典园林是一门综合性的艺术，是中国传统艺术中的一个非常重要的分支。园林美学范畴是研究园林美学的必由之路，反映了主体对园林中一切与“美”有关内容的最基本、最普遍的认知，它往往与审美实践相联系，通常也被称为“审美范畴”。中国园林美学范畴中表现出来的生存智慧直接反映了一脉相承的中国传统哲学思想。“自然”、“写意”、“含蓄”、“冲淡”、“调和”、“空静”、“悲悯”等意境的发生，归根结底都是中国古代自然观的综合体现，与将自然观理论化、抽象化的哲学显然存在着必然的因果关系。 魏晋玄学作为中国哲学史上承上启下的重要环节。魏晋南北朝人本主义的确立催生了魏晋时期感物美学的成熟以及绘画、造像、园林等艺术的蓬勃发展；其在方法论上的创新促进了儒、道、释文化思想的合流，为佛教在中国的流行奠定了基础；理性自然宇宙观的形成打破了谶纬迷信之学对中国文化思想的垄断；思辨式方法论的产生增加了理论的逻辑性，这些都与玄学的流行有着密不可分的关系。 借助原始的文献资料以及前人的分析与总结，全面总结了魏晋玄学的基本理论思想及其形成的过程。从中提取出一切与美学相关联的理论内容，并将其与中国传统美学范畴相联系，从而确立了两者之间密切的内在联系。 论文直击中国传统园林美学范畴形成的哲学根源，探求其体现出来的深厚的思想内涵，达到提升其理论高度的目的。并将“意境”范畴确立为园林美学范畴中的首要范畴，，作为连接理论与审美实践的重要环节，促进了美学范畴在园林创作及审美中的应用。
[Abstract]:Classical garden is a comprehensive art, is a very important branch of Chinese traditional art. The category of garden aesthetics is the only way to study garden aesthetics. It reflects the most basic and universal cognition of the subject about all the contents related to "beauty" in the garden. It is often associated with aesthetic practice and is usually called "aesthetic category". The wisdom of existence in the category of Chinese garden aesthetics directly reflects the traditional Chinese philosophy. The occurrence of "nature", "freehand brushwork", "implication", "dilution", "harmony", "emptiness" and "compassion" are, in the final analysis, the comprehensive embodiment of the ancient Chinese view of nature and the theorization of the view of nature. Abstract philosophy clearly has an inevitable causal relationship. Metaphysics in Wei and Jin dynasties is an important link in the history of Chinese philosophy. The establishment of humanism in the Wei, Jin and Southern and Northern dynasties gave birth to the maturity of the aesthetic of feeling objects in the Wei and Jin dynasties, as well as the vigorous development of paintings, statues, gardens and other arts. Its innovation in methodology has promoted the combination of Confucianism, Taoism and Buddhism, which has laid the foundation for the popularity of Buddhism in China, and the formation of rational natural cosmology has broken the monopoly of science of prophecy and superstition on Chinese cultural thought. The emergence of speculative methodology increases the logic of theory, which is closely related to the popularity of metaphysics. With the help of the original literature and the analysis and summary of predecessors, this paper summarizes the basic theoretical thoughts and the forming process of metaphysics in Wei and Jin dynasties. All the theoretical contents related to aesthetics are extracted, and they are connected with the traditional Chinese aesthetic category, thus establishing the close internal relationship between the two. This paper directly attacks the philosophical origin of the category of Chinese traditional garden aesthetics, explores its profound ideological connotation, and achieves the purpose of improving its theoretical height. And the category of "artistic conception" is established as the primary category in the category of garden aesthetics, which is an important link between theory and aesthetic practice, and promotes the application of aesthetic category in garden creation and aesthetics.
【学位授予单位】：天津大学
【学位级别】：博士
【学位授予年份】：2013
【分类号】：TU986.1
[Abstract]:Classical garden is a comprehensive art, is a very important branch of Chinese traditional art. The category of garden aesthetics is the only way to study garden aesthetics. It reflects the most basic and universal cognition of the subject about all the contents related to "beauty" in the garden. It is often associated with aesthetic practice and is usually called "aesthetic category". The wisdom of existence in the category of Chinese garden aesthetics directly reflects the traditional Chinese philosophy. The occurrence of "nature", "freehand brushwork", "implication", "dilution", "harmony", "emptiness" and "compassion" are, in the final analysis, the comprehensive embodiment of the ancient Chinese view of nature and the theorization of the view of nature. Abstract philosophy clearly has an inevitable causal relationship. Metaphysics in Wei and Jin dynasties is an important link in the history of Chinese philosophy. The establishment of humanism in the Wei, Jin and Southern and Northern dynasties gave birth to the maturity of the aesthetic of feeling objects in the Wei and Jin dynasties, as well as the vigorous development of paintings, statues, gardens and other arts. Its innovation in methodology has promoted the combination of Confucianism, Taoism and Buddhism, which has laid the foundation for the popularity of Buddhism in China, and the formation of rational natural cosmology has broken the monopoly of science of prophecy and superstition on Chinese cultural thought. The emergence of speculative methodology increases the logic of theory, which is closely related to the popularity of metaphysics. With the help of the original literature and the analysis and summary of predecessors, this paper summarizes the basic theoretical thoughts and the forming process of metaphysics in Wei and Jin dynasties. All the theoretical contents related to aesthetics are extracted, and they are connected with the traditional Chinese aesthetic category, thus establishing the close internal relationship between the two. This paper directly attacks the philosophical origin of the category of Chinese traditional garden aesthetics, explores its profound ideological connotation, and achieves the purpose of improving its theoretical height. And the category of "artistic conception" is established as the primary category in the category of garden aesthetics, which is an important link between theory and aesthetic practice, and promotes the application of aesthetic category in garden creation and aesthetics.
【学位授予单位】：天津大学
【学位级别】：博士
【学位授予年份】：2013
【分类号】：TU986.1
【共引文献】
相关期刊论文 前10条
1 曾垂超;李军均;;小说评点文体的独立:从子史之评到文学之评——刘辰翁《世说新语》评点的源流及意义论析[J];蒲松龄研究;2011年01期
2 王成;;遗忘的批评踪迹——王弼批评理论范式的文论史地位[J];阿坝师范高等专科学校学报;2010年01期
3 张舜清;;论儒家“生”之伦理的理论渊源[J];阿坝师范高等专科学校学报;2010年03期
4 朱雪梅;王国光;林W毠
本文编号：2367071
本文链接：https://www.wllwen.com/kejilunwen/sgjslw/2367071.html
