《人民电影》研究

发布时间：2018-03-01 03:14

本文关键词： 《人民电影》 “文革” 期刊　出处：《四川师范大学》2011年硕士论文　论文类型：学位论文

【摘要】：《人民电影》创刊于“文革”末期的1976年3月,终刊于十一届三中全会后的1978年12月,是一份跨时代的刊物。1976年10月,以“四人帮”被粉碎作为“文革”时代的结束标志。但在此后的两年间,《人民电影》的编辑思路、文章风格、创作观念等并没有发生很大的转变,因而呈现出典型的过渡期特征。它承接了“文革”文学和新时期文学,既有激进极左的特点,又有平和过渡的态势,同时它作为一个大众化的艺术期刊,既有很强的趣味性,又有一定的专业性,形成了一个独特的融政治性、文学性、娱乐性于一体的阅读体系。本文将《人民电影》置于中国当代文学视野之下,以历史的眼光进行整体观照和具体阐释,不仅可以把握“文革”后期和新时期初期文学的主流意识和思想倾向,进而掌握极左文艺思潮发展到顶峰继而瓦解的过程和面貌,窥探新时期文学开始萌芽的形态和趋势,还可以了解它与当时社会主流意识形态的关系,对于认识历史转折时期的政治文化、时代审美、人文心理等都具有极其重要和特殊的价值。本文主要分三章来研究《人民电影》: 第一章对《人民电影》出现的历史文化背景进行纵向的梳理和分析,然后对其进行横向的、全面的归纳和概括,呈现《人民电影》的面貌特征和品格气质,并试图解释说明这些特征在历史演变过程中的得与失。第二章深入历史的转角处,分析和评判《人民电影》在变幻莫测的政治变化和形势发展下,所进行的一系列自我纠正和补救的方式和策略。第三章总结在这一系列的文学活动背后,所带来的诸多教训和启示,并尝试对刊物、文学及文人在政治高压和人性压抑下的异化进行一些剖析和反思。
[Abstract]:The people's Film, which was first published on March 1976 at the end of the Cultural Revolution and on December 1978 after the third Plenary session of the Eleventh Central Committee, is a cross-epoch publication. The "Gang of four" was shattered as the end of the "Cultural Revolution" era. However, in the following two years, the editorial ideas, the style of articles, and the creative ideas of the people's Film did not change greatly. It takes on the literature of the "Cultural Revolution" and the literature of the new period. It has the characteristics of radical and extreme left, as well as the situation of peaceful transition. At the same time, as a popular art periodical, it has a strong interest. There is also a certain degree of professionalism, formed a unique political, literary, entertainment in one of the reading system. This article puts "people's Film" under the vision of Chinese contemporary literature, takes a historical view and explains it concretely, which not only can grasp the mainstream consciousness and ideological tendency of literature in the later period of the "Cultural Revolution" and the early stage of the new period. Then we can grasp the process and appearance of the extreme left literary trend of thought developing to the peak and then disintegrating, and explore the form and trend of the beginning of literature germination in the new period, and we can also understand its relationship with the mainstream ideology of the society at that time. It is of great importance and special value for understanding the political culture, the aesthetics of the times and the humanistic psychology in the period of historical transition. This paper is divided into three chapters to study "people's Film":. The first chapter analyzes the historical and cultural background of "people's Film" vertically, then summarizes it horizontally and comprehensively, and presents the features and character temperament of "people's Film". It also tries to explain the gains and losses of these characteristics in the course of historical evolution. The second chapter goes deep into the corner of history to analyze and judge a series of ways and strategies to correct and remedy the people's Film under the unpredictable political changes and the development of the situation. The third chapter summarizes many lessons and enlightenments brought by this series of literary activities, and attempts to analyze and reflect on the dissimilation of publications, literature and literati under the political pressure and the suppression of human nature.
【学位授予单位】：四川师范大学
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：G239.29;I206.7

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