民间文学艺术作品著作权保护研究

发布时间：2018-07-17 00:33

【摘要】：随着全球一体化的发展，西方文化的大量涌入，中国传统文化被同化的现象十分严重。而我国对民间文学艺术作品的重视不足，保护力度不够，现状不容乐观。本文以著作权理论为基础，通过分析和完善《著作权法》，以期能够对民间文学艺术作品提供更好的保障。本文首先分析民间文学艺术的词源，接着对其内涵外沿进行探讨确定，进而提出民间文学艺术作品的含义，并区分相似概念。目前国内部分学者对民间文学艺术作品是否应该由《著作权法》予以保护这一议题提出异议。笔者认为，增加民间文学艺术作品作为《著作权法》的客体具有正当性和合理性，，并会对此进一步分析。在解决理论问题之后将视野置于国际，通过对区域性公约、国际公约、国际组织、各国关于民间文学艺术作品保护的分析对比了解全球动态，借鉴优秀做法，反思国内问题，为改善现状提供参考。接着将视线转回国内，分别从立法和实践两方面阐述我国民间文学艺术作品的现状，特别是通过典型案例透视出国内保护体系的缺失造成的不便。通过前文，提出保护工作存在的不足之处。最后在前几章论述的基础上，勾勒出笔者理想的保护体系。即主要通过明晰民间文学艺术作品的主体，客体范围和权利内容构建一个框架，使得保护工作的开展有法可依，并继续探寻促进民间文学艺术作品繁荣发展的方法。
[Abstract]:With the development of global integration and the influx of western culture, the assimilation of Chinese traditional culture is very serious. But our country pays less attention to the folk literature and art works, the protection strength is not enough, the present situation is not optimistic. Based on the copyright theory, this paper analyzes and perfects the copyright Law in order to provide a better guarantee for the works of folk literature and art. This paper first analyzes the etymology of folk literature and art, then discusses and determines its connotations, then puts forward the meaning of folk literature and art works, and distinguishes the similar concepts. At present, some domestic scholars object to the issue of whether works of folklore should be protected by copyright Law. The author thinks that adding folk literature and art works as the object of copyright Law is legitimate and reasonable and will be further analyzed. After solving the theoretical problems, we put the field of vision at the international level. Through the analysis and comparison of regional conventions, international organizations and countries on the protection of folklore and art works, we understand the global dynamics, learn from excellent practices, and reflect on domestic problems. To provide a reference for improving the current situation. Then we turn our attention back to our country and expound the present situation of Chinese folk literature and art works from the aspects of legislation and practice, especially the inconvenience caused by the absence of domestic protection system through typical cases. Through the above, put forward the shortcomings of the protection work. Finally, on the basis of the previous chapters, the author outlines the ideal protection system. That is to say, by clarifying the subject, object scope and right content of folklore art works, the author constructs a framework to make the protection work have legal basis, and continue to explore ways to promote the prosperity and development of folklore works.
【学位授予单位】：华侨大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：D923.41

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