新媒体环境下数字音乐作品著作权保护研究

发布时间：2019-03-13 18:47

【摘要】：互联网技术在世界范围内的普及以来,数字音乐作品的传播和下载已经成为新一轮著作权关注焦点问题。新媒体技术的发展为人们获取音乐作品提供了便利,但同时挑战了音乐著作权权利人的利益,传统的音乐著作权制度在网络环境下显得有些力不从心。新媒体激起音乐作品著作权保护的波澜,法律学术领域和音乐界都给予了高度关注,特别是数字音乐作品著作权的管理更是问题的核心部分。如果法律上不给予其应有的保护,会直接打击作者创作音乐的积极性、遏制音乐生产商的动力。本论文着眼于新媒体环境下的音乐版权意识,在分析音乐版权核心内容的基础上,提出维护音乐版权的建议,最终目的是为了寻找有利于音乐产业发展的道路。本文正文分为五部分。第一部分是引言,主要介绍了新媒体环境下数字音乐作品著作权保护的选题背景和意义,国内外研究现状以及本文采用的研究方法和创新点,为下文的详述做好铺垫。第二部分从理论层面阐述了新媒体环境下数字音乐作品著作权的一般问题,包括新媒体概念的界定与特点、数字音乐作品的界定和特征,接着通过分析传统媒体与新媒体环境下音乐作品的保护环境、商业模式与产业主体、权利内容的差异来明晰新媒体环境下数字音乐作品著作权保护的特性,以此引出本文将要展开论述的主要内容。第三部分具体介绍了国外新媒体环境下数字音乐作品著作权保护的现状,包括相关国际上的立法和成立的保护组织,国外数字音乐作品著作权保护的经验,如日本的著作权集体管理制度、美国的音乐付费制度、经历了转型的许可制度,总结了国外保护数字音乐作品著作权的经验与借鉴。第四部分是本文的重点部分,结合《著作权法》第三次修改的热点,研究我国新媒体环境下数字音乐作品著作权保护的现状和面临的问题。新媒体环境下突显的复制权中的“临时复制”、信息网络传播权的范围等权利内容需要调整的问题;侵权行为主体复杂、现行著作权法律不能规制新的侵权形式。对于以上种种问题的存在,应该有针对性地制定切实可行的法律法规,对其加以完善。第五部分是本文的结论部分,主要是对新媒体环境下我国数字音乐作品著作权保护的完善建议。在借鉴国外相关规定的基础上,结合我国存在的实际问题,提出了关于数字音乐作品著作权保护的相关建议:明确界定侵权责任(包括网络内容服务提供者、网络接入服务提供者、终端消费者三方的责任);引入竞争性因素;完善集体管理制度;探索建立音乐付费机制。
[Abstract]:Since the popularization of Internet technology in the world, the dissemination and download of digital music has become the focus of copyright. The development of new media technology has provided convenience for people to obtain music works, but at the same time challenged the interests of music copyright holders. The traditional music copyright system appears to be a little weak in the network environment. The new media has aroused the wave of copyright protection of music works, and the legal and academic fields and music circles have paid great attention to it, especially the management of digital music works copyright is the core part of the problem. If the law does not give it due protection, it will directly dampen the enthusiasm of the author to create music and restrain the motivation of music producers. This paper focuses on the awareness of music copyright under the new media environment, and on the basis of analyzing the core content of music copyright, puts forward some suggestions for the maintenance of music copyright. The ultimate purpose is to find a way conducive to the development of music industry. This text is divided into five parts. The first part is the introduction, which mainly introduces the background and significance of digital music copyright protection under the new media environment, the current research situation at home and abroad, the research methods and innovations adopted in this paper, which will pave the way for the following details. The second part expounds the general problems of the copyright of digital music works in the new media environment, including the definition and characteristics of the new media concept, the definition and characteristics of the digital music works, and the definition and characteristics of the digital music works in the new media environment. Then the characteristics of copyright protection of digital music works under the new media environment are clarified by analyzing the protection environment of music works under the environment of traditional media and new media, the differences between the business model and the main body of industry, the content of rights, and so on. This paper will lead to the main content of the discussion. The third part introduces the current situation of copyright protection of digital music works under the new media environment in foreign countries, including the relevant international legislation and the establishment of protection organizations, and the experience of copyright protection of digital music works abroad. For example, the collective management system of copyright in Japan and the music payment system in the United States have experienced the transformation of licensing system, and summarized the experience and reference of foreign countries in protecting the copyright of digital music works. The fourth part is the key part of this paper, combining with the hot spot of the third revision of copyright Law, this paper studies the current situation and problems of copyright protection of digital music works under the environment of new media in China. In the new media environment, the "temporary reproduction" of the reproduction right and the scope of the information network dissemination right need to be adjusted, and the subject of the infringement is complex, and the current copyright law cannot regulate the new forms of infringement. For the existence of the above problems, we should formulate practical laws and regulations and perfect them. The fifth part is the conclusion of this paper, mainly to improve the copyright protection of digital music works under the new media environment. On the basis of drawing lessons from the relevant foreign regulations and combining with the practical problems existing in our country, this paper puts forward some suggestions on copyright protection of digital music works: clearly define the tort liability (including network content service providers), The responsibility of the network access service provider and the end consumer); Introduce competitive factors; improve the collective management system; explore the establishment of music payment mechanism.
【学位授予单位】：河北经贸大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：D923.41

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