抗战时期陪都重庆书籍装帧研究
发布时间：2019-03-22 08:36
【摘要】：1937年7月7日抗日战争爆发，国民政府迁都重庆，重庆成为陪都。大量的文人、艺术家也随之迁来重庆。在这个举国忧患的时期，中国人民体现出来的凝聚力是空前的，为了保卫祖国、振奋人心，文人墨客们停止了阳春白雪的创作，把画笔作为武器，创作出许多富有战斗性的作品。这些具有现实意义的作品,鼓舞激励着中国人民，与日本侵略者展开了艰苦卓绝的斗争。因为上海等地沦陷，出版业迁移到重庆。一时间重庆出版业出现了欣欣向荣的景象。书籍装帧艺术也是一道特别的风景线，它依附于书籍内容但又是独立的艺术品。 时代的发展影响着出版业兴衰，出版业的发展影响着书籍的出版。在抗战这个时代背景下，，出版工作者抵抗御日本侵略者对出版业的破坏，克服一切困难，发展了革命的出版业。使以生命为代价发展起来的出版业在重庆大后方生根发芽,出版了许多装帧大方、精美的书籍。许多艺术家如：曹辛之、丰子恺、丁聪，在这个艰苦的时代，不畏惧困难用画笔作为抗战的武器，创作出简洁、明快、意味深远的作品。这些优秀的作品滋养着人们的心灵，他们是抗战时期陪都重庆书籍装帧艺术家的代表，反映出这个时代书籍装帧艺术的特征。 五四运动以后中西文化相互碰撞，产生了独特的文化特色。本文将以多角度对这一时代的书籍装帧特色进行研究。抗日战争时期物资匮乏，但是人们的精神生活是丰富的，装帧艺术家把中西方不同的艺术元素放在书籍封面设计中，展现出丰富的艺术效果。 对于抗战时期陪都重庆书籍装帧研究，最重要的目的是为了对当今的书籍装帧艺术起一定的启示作用，更好的制定好现代书籍装帧设计的发展路线。
[Abstract]:The War of Resistance against Japan broke out on July 7, 1937, when the National Government moved to Chongqing, and Chongqing became the accompanying capital. A large number of literati, artists also moved to Chongqing. In this time of national distress, the cohesion embodied by the Chinese people is unprecedented. In order to defend the motherland and inspire the hearts of the people, the literati stopped their creation of spring and white snow and used the brush as a weapon. Create a lot of combative works. These realistic works inspired the Chinese people and waged a painstaking struggle with the Japanese invaders. Because of the fall of Shanghai and other places, the publishing industry moved to Chongqing. Chongqing publishing industry suddenly appeared prosperous scene. Book binding art is also a special landscape, attached to the content of the book but also independent art. The development of the times affects the rise and fall of the publishing industry, and the development of the publishing industry affects the publication of books. Under the background of the Anti-Japanese War, the publishing workers resisted the destruction of the publishing industry by the Japanese invaders, overcome all difficulties and developed the revolutionary publishing industry. The publishing industry, developed at the cost of life, took root and sprouted in the rear of Chongqing and published many well-bound and exquisite books. Many artists, such as Cao Xinzhi, Feng Zikai, Ding Cong, in this difficult time, do not fear the difficulty of using brushes as a weapon of the War of Resistance, creating concise, bright, far-reaching works. These excellent works nourish people's hearts, they are the representative of book binding artists in Chongqing during the Anti-Japanese War, reflecting the characteristics of book binding art in this era. After the May 4th Movement, Chinese and Western cultures collided with each other, resulting in unique cultural characteristics. This paper will study the characteristics of book binding in this era from many angles. During the War of Resistance against Japan, materials were scarce, but people's spiritual life was rich. Binding artists put different artistic elements in the book cover design in China and the West, showing rich artistic effects. For the study of book binding in Chongqing during the Anti-Japanese War, the most important purpose is to play an enlightening role in the art of book binding and to better formulate the development route of modern book binding design.
【学位授予单位】：重庆大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：TS881;G239.29
本文编号：2445440
[Abstract]:The War of Resistance against Japan broke out on July 7, 1937, when the National Government moved to Chongqing, and Chongqing became the accompanying capital. A large number of literati, artists also moved to Chongqing. In this time of national distress, the cohesion embodied by the Chinese people is unprecedented. In order to defend the motherland and inspire the hearts of the people, the literati stopped their creation of spring and white snow and used the brush as a weapon. Create a lot of combative works. These realistic works inspired the Chinese people and waged a painstaking struggle with the Japanese invaders. Because of the fall of Shanghai and other places, the publishing industry moved to Chongqing. Chongqing publishing industry suddenly appeared prosperous scene. Book binding art is also a special landscape, attached to the content of the book but also independent art. The development of the times affects the rise and fall of the publishing industry, and the development of the publishing industry affects the publication of books. Under the background of the Anti-Japanese War, the publishing workers resisted the destruction of the publishing industry by the Japanese invaders, overcome all difficulties and developed the revolutionary publishing industry. The publishing industry, developed at the cost of life, took root and sprouted in the rear of Chongqing and published many well-bound and exquisite books. Many artists, such as Cao Xinzhi, Feng Zikai, Ding Cong, in this difficult time, do not fear the difficulty of using brushes as a weapon of the War of Resistance, creating concise, bright, far-reaching works. These excellent works nourish people's hearts, they are the representative of book binding artists in Chongqing during the Anti-Japanese War, reflecting the characteristics of book binding art in this era. After the May 4th Movement, Chinese and Western cultures collided with each other, resulting in unique cultural characteristics. This paper will study the characteristics of book binding in this era from many angles. During the War of Resistance against Japan, materials were scarce, but people's spiritual life was rich. Binding artists put different artistic elements in the book cover design in China and the West, showing rich artistic effects. For the study of book binding in Chongqing during the Anti-Japanese War, the most important purpose is to play an enlightening role in the art of book binding and to better formulate the development route of modern book binding design.
【学位授予单位】：重庆大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：TS881;G239.29
【参考文献】
相关期刊论文 前1条
1 邱陵;书籍装帧100年[J];装饰;2000年02期
本文编号：2445440
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