扒村窑白地黑花瓷装饰艺术研究

发布时间：2018-01-03 11:28

本文关键词：扒村窑白地黑花瓷装饰艺术研究　出处：《陕西师范大学》2012年硕士论文　论文类型：学位论文

【摘要】：扒村窑是创烧于唐末,兴盛于宋金时期的一处北方民窑,它位于现今河南省禹州市扒村,它主要烧制的瓷器以白地黑花特点著称。白地黑花是磁州窑系产品最具特色的装饰形式,是磁州窑系瓷器的典型风格,因此,扒村窑是北方地区磁州窑系具有特色的一个分支。学术界对磁州窑系的研究非常丰富,随着对磁州窑中心窑址的发掘,研究程度也逐渐深入,但是在对扒村窑的专项研究上还很少。扒村窑的白地黑花装饰内容丰富、构图繁密,不仅受到民间审美习惯的影响,也受到宋金时期商业社会以及宫廷艺术的影响。本文主要是通过笔者的实地考察,走访当地村民并收集瓷片标本,分析、整理获得第一手资料,并对前人研究成果及相关学科知识进行归纳、总结、梳理,主要分析扒村窑白地黑花装饰的构成形式及规律。扒村窑服务于下层人民,很多内容取材于生产生活、风俗信仰,因此,从民俗文化的角度来看待扒村窑装饰魅力对研究扒村窑装饰规律是非常必要的。可以说扒村瓷不仅有工艺之美、装饰之美更包含着宋金时期文学艺术之美,民俗文化之美。本文共分为五章。第一章为绪论,主要从选题目的、课题背景、研究现状和主要研究内容几部分分别阐述；第二章对扒村窑的历史背景和发展源流及影响进行梳理；第三章根据收集的大量瓷片标本,着重分析扒村窑白地黑花瓷的装饰规律,并从民俗文化的角度结合分析；第四章从民窑粗瓷的美学特征上分析白地黑花装饰的特色,突出扒村民窑艺术粗放、质朴、自然的风格,由于其特殊的装饰色彩造成白描的装饰效果,分析其用线之美。第五章结合自己的作品阐述扒村窑对笔者创作的启示。扒村民窑从器型到装饰内容都传达出民间浓郁的生活气息,承载着丰富的装饰内容。分析和总结这些内容是为了对现代设计增添新的参考内容以及可以运用的源泉。而借鉴传统装饰形式不仅是形式上的模仿,中国传统图形纹样的特色在于它具有丰富的表现力,具有极强的抽象,喻象能力,必须深入认识和探索这些图形背后的文化思想,深入到传统文化的脉络中才能使设计成为有源之水,有根之木。
[Abstract]:Bazaocun kiln was created in the late Tang Dynasty and flourished in the Song and Jin dynasties. It is located in the village of Yuzhou City, Henan Province. White ground black flower is the most characteristic decorative form of Cizhou kiln products, and it is the typical style of Cizhou kiln porcelain. Chaocun kiln is a characteristic branch of Cizhou kiln system in northern China. The academic research on Cizhou kiln system is very rich, and with the excavation of the central kiln site of Caizhou kiln, the research degree is gradually deepening. However, the special research on the braised kiln is still very few. The white and black flower decoration of the braised kiln is rich in content and complex in composition, which is not only influenced by folk aesthetic habits. Also affected by the Song and Jin dynasties commercial society and court art. This article is mainly through the author's field visits, visiting local villagers and collecting porcelain specimens, analysis, collation and obtain first-hand information. And the previous research results and related disciplines knowledge were summarized, summarized, combed, mainly analyzed the pattern and law of black flower decoration of braised village kiln. Braised kiln serves the lower class people. A lot of content is derived from production and life, customs and beliefs, therefore, from the perspective of folk culture, it is very necessary to study the decorative law of braised village kiln decoration from the perspective of folk culture. It can be said that braised village porcelain not only has the beauty of technology. The beauty of decoration includes the beauty of literature and art in Song and Jin dynasties and the beauty of folk culture. This paper is divided into five chapters. The first chapter is the introduction, mainly from the purpose of the topic, the subject background, research status and main research content several parts respectively. The second chapter combs the historical background, the development source and the influence of the braised village kiln. The third chapter, according to the collection of a large number of porcelain specimens, focusing on the decorative rules of the braised kiln white and black porcelain, and from the point of view of folk culture analysis; Chapter 4th analyzes the characteristics of white ground and black flower decoration from the aesthetic characteristics of folk kiln coarse porcelain, highlighting the extensive, simple and natural style of the art of braised villager kiln, which results in the decorative effect of white drawing due to its special decorative color. Analysis of the beauty of the line. 5th with their own works on the village kiln to the author's inspiration. Braised villager kiln from instrumental to decorative content has conveyed the folk rich life breath. Carrying a wealth of decorative content. Analysis and summary of these content is to add new reference to modern design and can be used as a source. And learning from the traditional decorative form is not only the form of imitation. The characteristic of Chinese traditional pattern is that it has rich expressive power, strong abstract and figurative ability, so we must deeply understand and explore the cultural thought behind these figures. Deep into the context of traditional culture to make the design into the active water, the root of the wood.
【学位授予单位】：陕西师范大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：K876.3

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