山东临沂金雀山9号西汉墓帛画角抵场面

发布时间：2018-01-05 04:01

  本文关键词：山东临沂金雀山9号西汉墓帛画角抵场面　出处：《戏曲艺术》2016年03期 　论文类型：期刊论文

  更多相关文章： 金雀山 汉墓 角抵戏 山东临沂 宗教祭祀 正角 在人间 孕育期 画中

【摘要】：正墓葬和宗教祭祀场所中的壁画也多有展现孕育期的戏剧形态。流行于秦汉时期的角抵戏在汉墓壁画中就有所体现,著名的如山东临沂金雀山9号西汉墓帛画。该帛画分为天上、人间、地下三部分,角抵戏的场面在人间的第五层。画中三个男子正角抵表演,其中左一人袖手旁立,似裁判;右两人以面具遮面,正在搏击。史料载,角抵戏始于民间,战国时已有之,到了汉代,
[Abstract]:The frescoes in the main tombs and religious sacrificial places also have the form of drama to show the gestation period. The Jiaozhi opera popular in the Qin and Han dynasties is reflected in the murals of the Han tombs. Famous painting, such as the silk painting of the Western Han Dynasty tomb on the 9th of Jinqishan, Linyi, Shandong Province. The silk painting is divided into three parts: heaven, earth, and underground. The scene of the scene of the drama is on the 5th floor of the earth. In the painting, three men show the right angle. One of the left sleeve hands stand next to the referee; The two men on the right covered their faces with masks and were fighting. Historical records show that the drama began among the people and was already there in the warring States period, and by the Han Dynasty,
【分类号】：K879.4
【正文快照】： 墓葬和宗教祭祀场所中的壁画也多有展现孕育期的戏剧形态。流行于秦汉时期的角抵戏在汉墓壁画中就有所体现,著名的如山东临沂金雀山9号西汉墓帛画。该帛画分为天上、人间、地下三部分,角抵戏的场面在人间的第五层。画中三个男子正角抵表演,其中左一人袖手旁立,似裁判;右两人以，

本文编号：1381442