两汉至唐宋陵墓建筑中石雕狮子艺术造型的演变

发布时间：2018-01-17 03:31

本文关键词：两汉至唐宋陵墓建筑中石雕狮子艺术造型的演变　出处：《江西师范大学》2014年硕士论文　论文类型：学位论文

【摘要】：就目前的考古发现及研究来看，以狮子作为蓝本的艺术品比比皆是，其存世数量庞大，品类丰富。而随着中国墓葬制度的不断发展，陵墓建筑中的石刻雕塑也在不断的发展与完善，鉴于这一原因，本文侧重于描述陵墓建筑中的石雕狮子的发展演变，并对其进行初步的分析及研究。两汉时期狮子形象传入中国，同时墓葬前放置石雕成为定制，东汉时期出现以狮子为原型的有翼石兽。南北朝时期，墓葬建筑中的石兽开始成对出现。直至唐代，佛教艺术的充分发展，狮子开始出现新的蹲坐式造型。北宋时期，，皇陵石狮保存现状较好，因此本文得以按照考古学方法将北宋时期角端分为四期，同时也对北宋皇陵中个神门石狮进行了梳理及总结。
[Abstract]:From the current archaeological discovery and research, the lion as the original works of art abound, its existence of a large number of categories. And with the continuous development of China's tomb system. The stone sculpture in mausoleum architecture is also constantly developing and perfecting. In view of this reason, this paper focuses on describing the development and evolution of stone carvings and lions in mausoleum architecture. The lion image was introduced into China during the Han Dynasty, and the stone carvings were placed before the tomb to be customized. In the Eastern Han Dynasty, there appeared the winged stone beast with the lion as the archetype. The Southern and Northern dynasties period. Until the Tang Dynasty, with the full development of Buddhist art, the lion began to appear a new squatting style. In the Northern Song Dynasty, the Emperor's Tomb Stone Lions were better preserved. Therefore, according to the archaeological method, this paper divides the corner of the Northern Song Dynasty into four periods, and also combs and summarizes the Shenmen stone lion in the imperial mausoleum of the Northern Song Dynasty.
【学位授予单位】：江西师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：K878.8

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