明清仕女画造型在鉴定中的应用

发布时间：2018-01-17 16:12

本文关键词：明清仕女画造型在鉴定中的应用　出处：《中国社会科学院研究生院》2014年硕士论文　论文类型：学位论文

【摘要】：中国画史上的传世仕女画各具风格,能直观的反映出一个时代的典型审美，并具有一定的审美流变趋势与传承规律。这些规律、趋势是可以被科学的研究、掌握以及利用的。我们可以透过仕女画中的开脸、服饰、发型、以及运笔设色等，，感受作者留在笔下人物中的心绪和气韵，这便是仕女画家独属于自己的无法复刻的特点。正是这种细节，造就了经典的传世仕女作品，也为我们科学、系统地通过仕女造型风格鉴定传世仕女作品，提供了线索。本文在研究梳理明清仕女画整体造型风格的基础上，将研究重点放到了实际应用与鉴赏之上，以三幅款识为明代画家的仕女作品为切入点，着重论述明清仕女画造型及其风格在鉴定辨伪中的实际应用。
[Abstract]:Chinese history handed down the painting style, which can directly reflect the typical aesthetic of an era, and has the trend of Aesthetic Evolution and inheritance of certain rules. These rules and trends can be scientific research, grasp and use. We can through the ladies painting face, dress, hairstyle, and the pen color, feel the characters in the mind and spirit, this is the only part of their ladypainter not engraved features. It is this kind of detail, created a classic ancient ladies for our work, scientific, systematic style identification by ladies ladies works provides clues handed down,.
Based on the study of Ming and Qing Dynasties paintings overall modelling style, will focus on the research on the practical application and appreciation to the three sites for the ladies inscription Ming Dynasty painter works as a starting point, focuses on the practical application of the Ming and Qing Dynasties paintings style and style in the identification of discrimination.

【学位授予单位】：中国社会科学院研究生院
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：K879.4

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