武氏祠石室屋顶后坡画像的配置

发布时间：2018-01-31 02:25

本文关键词： 水陆神灵交战图武氏祠画像石配置　出处：《中国国家博物馆馆刊》2014年12期 　论文类型：期刊论文

【摘要】：本文将山东长清大街汉墓M1中一幅具有神话色彩的交战画像命名为水陆神灵交战图"。通过对其初步的认读,确认武氏祠左石室屋顶后坡东段画像为"水陆神灵交战图"的半幅图像,即以"鱼驾车"为主导的"水神"战队出征场景;由此提出,已佚失的左石室屋顶后坡西段画像内容应是以"鹿驾车"为主导的"陆神"战队出征场景,与现存东段画像组成了一幅完整的"水陆神灵交战图"。以此为提示,又将武氏祠中散存的"武氏祠南道旁画像石"和"蔡题一石"分别确定为"水陆神灵交战图"中的两个半幅画像,通过对两石的位置复原与配置,发现汉代双开间祠堂屋顶还存在另一种新的形制,即两面坡祠堂中的一面坡由四块画像石组成。同时提出了武氏祠双开间石祠屋顶画像配置的若干规律,即屋顶画像大致刻绘了两个方面的内容:一是表现自然界诸神如风雨雷电等神灵的出行或活动场面;另一是表现仙界争战、祠主升仙旅程的场景。
[Abstract]:In this paper, a mythical portrait of the Han Tomb M1 of Changqing Street in Shandong Province is named as the battle picture of the land and water gods. Confirm that the portrait of the east section of the back slope of the left stone chamber of the Wushi Temple is half an image of the "battle picture of the land and water gods", that is, the "water god" team, which is dominated by "fish driving", sets out the scene; From this, the lost left stone roof behind the slope of the west section of the portrait content should be "deer driving" as the leading "Lushen" team out of the scene. With the existing portrait of the East to form a complete "land and water god battle map". This as a reminder. In addition, the "stone relief along the south road of the Wushi Temple" and "Cai Quan one Stone", which are scattered in the Wushi Temple, are respectively identified as two half portraits in the "Battle Diagram of the Land and Water gods", which are restored and configured through the location of the two stones. It is found that there is another new shape on the roof of the double open ancestral hall in the Han Dynasty, that is, one slope in the two sides of the slope ancestral hall is composed of four stone portraits. At the same time, some rules of the arrangement of the roof portrait of the double open stone shrine in the Wu's Temple are put forward. That is, the roof portrait roughly engraved two aspects of the content: first, the performance of the nature of the gods such as rain, rain, thunder and lightning, such as the travel or activities of the gods; The other is the performance of the Immortals War, the temple of the journey of the Immortals scene.
【作者单位】：山东博物馆;
【分类号】：K879.4
【正文快照】： 山东嘉祥武氏祠研究史已逾千年,是学术界长盛不衰的论题,特别是最近一个多世纪以来,对武氏祠石室复原研究的热情极高,成绩斐然,其中20世纪80年代蒋英炬、吴文祺两先生(下文引用时简称蒋、吴)对武氏祠三座石室的复原尤为重要[1],并成为武氏祠研究的新起点。武氏祠前石室、左石

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