莫高窟北朝壁画汉式造像特征研究

发布时间：2018-02-07 13:26

本文关键词： 莫高窟壁画北朝汉式造像特征　出处：《南京艺术学院》2010年硕士论文　论文类型：学位论文

【摘要】： 本文着重于汉式佛教造像与汉式传统造像两方面,对莫高窟北朝壁画中出现的汉式造像的特征、演变、出处等予以分析研究。为探求其造像特征的来源,纳入了印度、西域、汉地其他相关佛教造像及中原汉画中的传统造像等进行比较。得出莫高窟北朝造像在北魏晚期至西魏以及北周时期发生了两次汉式造像风格的转变,其造像特征的来源呈现出复杂性,一是承袭汉魏古制;二是汲取受南朝文化艺术影响的中原风格;三是深受南朝、中原及河西一带的墓葬壁画及画像砖、石中造像题材、图像的影响。同时进一步探索了莫高窟北朝壁画汉式造像特征的形成原因。
[Abstract]:This paper focuses on the Chinese style and Chinese traditional Buddhist statues of the two aspects, evolution of Chinese statues of Mogao Grottoes in the Northern Dynasties murals, such as the source to be analyzed. In order to explore the statues features, incorporated in India, western, Chinese and other related Buddhist statues in the traditional statues paintings of central China were compared. The Mogao Grottoes North statues had two Chinese statues in the later period of Northern Wei Dynasty to Wei and Zhou period, the source characteristics showed the complexity of statues, one is inherited from ancient Han; two is to learn by the southern culture and the artistic influence of Zhongyuan style; three is by the Southern Dynasties, the tomb murals and reliefs the Central Plains and the Hexi area, stone statues theme, the impact of the image. At the same time, to further explore the causes of the Mogao Grottoes murals of the Northern Dynasty Han style sculpture features.

【学位授予单位】：南京艺术学院
【学位级别】：硕士
【学位授予年份】：2010
【分类号】：K879.41

【引证文献】