徐州汉文化装饰艺术特征研究

发布时间：2018-02-11 12:24

本文关键词： 徐州汉文化装饰艺术建筑　出处：《南京林业大学》2011年硕士论文　论文类型：学位论文

【摘要】：徐州古称彭城,是汉高祖刘邦的故乡,是国家级历史文化名城。作为汉王朝的发祥地,徐州对汉文化的形成和发展做出了积极贡献。彭城先后成为13代楚王和5代彭城王的都城,给后人留下了十几座规模宏大、形制奇特、埋藏丰富的王陵墓葬,出土了大批珍贵文物,为今人勾勒两汉经济、政治、军事、文化和社会生活的历史轮廓提供了重要实物资料,也使徐州成为两汉文化研究中心之一。徐州的文物资源十分丰富,曾有人把徐州汉画像石与苏州园林、南京六朝石刻并称为“江苏三宝”。近年也有“明清看北京、秦唐看西安、两汉看徐州”之说。徐州的汉墓、汉兵马俑、汉画像石被称为“汉代三绝”。本文通过分析徐州汉文化历史概况,探讨汉文化装饰艺术产生的政治、经济、文化背景；从汉代墓葬、汉兵马俑、汉画像石等方面总结了徐州两汉文化装饰艺术发展进程；对徐州两汉文化装饰艺术的特征进行了分析归纳；最后提出徐州两汉文化装饰艺术的传承与创新。依据已发表的资料和考古工作者的研究成果,拟从装饰艺术的角度对徐州地区的汉墓、汉兵马俑、汉画像石作综合性的论述,并提出一些新的认识,以期显示徐州地区两汉时期的高度发展水平。汲取其中的文化精髓,以启迪和发展现代装饰艺术思维。着眼于汉文化精神的回归与文化认同,从地域建筑艺术、建筑文化构成要素的综合比较研究中捕捉徐州汉代建筑传达的极为丰富的、强烈的、地域的、历史的、文化的、民族的艺术情感和文化信息。同时,结合当今建筑设计艺术发展的现状及其发展趋势,把汉文化装饰艺术的精华充分运用到当代建筑艺术设计中,使汉文化装饰艺术与现代建筑艺术实现完美融合。
[Abstract]:Xuzhou was called Pengcheng in ancient times. It was the hometown of Liu Bang, the ancestor of Han Dynasty, and a famous historical and cultural city at the national level. It was the birthplace of the Han Dynasty. Xuzhou made a positive contribution to the formation and development of Han culture. Pengcheng became the capital of 13 and 5 generations of King Pengcheng, leaving more than a dozen tombs with large scale, peculiar shape and rich burial. A large number of precious cultural relics were unearthed, which provided important material material for the historical outline of the economic, political, military, cultural and social life of the Han Dynasty, and also made Xuzhou one of the cultural research centers of the Han Dynasty. Some people used to call the stone sculptures of the Han Dynasty in Xuzhou and the gardens of Suzhou, and the stone carvings of the six dynasties in Nanjing as "three treasures of Jiangsu Province." in recent years, there has also been a theory that "the Ming and Qing dynasties see Beijing, the Qin and Tang dynasties see Xi'an, and the Han Dynasty see Xuzhou." the Han tombs of Xuzhou, the terracotta figures of the Han Dynasty, The stone portrait of the Han Dynasty is called the "three absolute in the Han Dynasty". By analyzing the history of Han culture in Xuzhou, this paper probes into the political, economic and cultural background in which the decorative arts of Han culture came into being, and sums up the development process of decorative arts of Han culture in Xuzhou from the aspects of tombs, terracotta warriors, stone sculptures and so on. This paper analyzes and summarizes the characteristics of the decorative arts of the Han Dynasty in Xuzhou, and finally puts forward the inheritance and innovation of the decorative arts of the Han Dynasty in Xuzhou. According to the published materials and the research results of the archaeologists, From the angle of decorative art, this paper makes a comprehensive discussion on the Han tombs, horses and terracotta warriors and stone sculptures in Xuzhou area, and puts forward some new understandings in order to show the high level of development of the Han Dynasty in Xuzhou area. Enlighten and develop modern decorative art thinking. Focusing on the return of the spirit of Chinese culture and cultural identity, from the comprehensive comparative study of regional architectural art and elements of architectural culture, it captures the extremely rich, strong, regional, historical and cultural elements conveyed by the architecture of Xuzhou in the Han Dynasty. At the same time, combined with the present situation and development trend of architectural design art, the essence of Han culture decorative art is fully applied to contemporary architectural art design. To make the Han culture decorative art and modern architectural art to achieve a perfect fusion.
【学位授予单位】：南京林业大学
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：K878.8

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