论河南汉墓出土升仙图像类型、起源及演变

发布时间：2018-02-28 04:42

本文关键词： 汉代墓葬升仙图　出处：《宗教学研究》2017年03期 　论文类型：期刊论文

【摘要】：汉代墓葬中的升仙图从内容上可以分为两大类,即暗示或表现墓主升仙的动态场景和表现仙境的图像系统;从风格上来说,其自身经历了由昆仑山向西王母图像系统的风格转变。升仙图深切暗示着汉代人对于死亡最古老的态度,即死亡并不是无,但汉代人似乎并不希冀复活和再生,而是在灵兽的护卫下飞升,进入无上的境界。由此,承认死亡又企图超越死亡成为汉代墓葬艺术的思想源泉。
[Abstract]:In the Han Dynasty, the images of the ascending fairy can be divided into two categories, namely, the dynamic scene of the tomb owner and the image system to represent the fairyland. Its own style has changed from Kunlun Mountain to the Western Queen Mother Image system. The ascending fairy map deeply implies the oldest attitude towards death in the Han Dynasty, that is, death is not without, but the Han Dynasty does not seem to want to be resurrected and reborn. Instead, it ascended to the supreme realm under the guard of the spirit and beast. Therefore, the recognition of death as the source of thought for the art of tombs in the Han Dynasty was an attempt to transcend death.
【作者单位】：武汉大学哲学学院;
【基金】：中央高校基本科研业务费专项基金资助项目“汉代墓葬壁画研究”(2014113010204)的阶段性成果
【分类号】：B959;K879.4

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