东胡青铜器纹饰研究

发布时间：2018-03-03 14:13

本文选题：东胡　切入点：墓葬　出处：《中央民族大学》2010年硕士论文　论文类型：学位论文

【摘要】： 东胡是居住在我国东北部的一个古老的少数民族,对中国古代北方历史的丰富发展起到了不可磨灭的贡献。由于留存下来的东胡史料奇缺,加之东胡在当时北方草原地区的重要地位,更加之其后裔乌桓、鲜卑、室韦、契丹、蒙古在我国民族历史发展中的重要作用,故对其研究显得尤为迫切。从1959年发现东胡墓葬以来,虽陆续发现了几处东胡墓群,但都没有经过系统整理。所以本人的研究内容之一,就是对东胡墓葬及出土器物经过仔细整理和分析,以填补此项工作的空缺。就目前的研究现状来看,对于东胡的研究还只是侧重于对其族源和历史发展的探讨和梳理,对东胡在社会政治、经济及社会文化意识方面的记载均相对欠缺。笔者希望借助对出土物纹饰的分析来充实完善这几方面的不足。然而,目前对东胡纹饰的研究也只是处于大致描绘阶段,没有进行统一总结归纳和整理,东胡青铜器纹饰的研究更是空白。笔者将借用艺术理论、图像学及商周时期中原青铜器纹饰研究的理论和方法,对东胡青铜器纹饰进行分类、归纳和总结,并在此基础上进一步分析其艺术特点及其背后的文化内涵。中国古代北方草原,地域辽阔,历史悠久,被人们称为“马背民族”的东胡、匈奴和鲜卑等少数民族自古以来就生息在这片土地。在漫长的历史岁月中,他们创造了世界上独具特色的草原文化。在草原青铜器及金银器艺术上,为中国古代文化宝库增添了重要一笔。因匈奴和鲜卑与东胡有着相似的文化背景和地缘因素,所以笔者意将东胡与同时期的匈奴及东胡后裔——鲜卑做一横向和纵向的比较,以期总结出东胡器物纹饰自有特点,更进一度窥探出政治、经济及文化特征。本文的绪言主要介绍选题缘起、国内外研究现状和研究内容。第一章主要介绍东胡的历史、政治、经济及文化情况；,第二章主要对东胡5个出土地点的42座墓葬及其出土物进行了系统总结和归纳,并总结出墓葬出土物总体特点；第三章对东胡青铜器纹饰归类的基础上进行艺术分析；第四章在运用商周时期中原青铜器纹饰研究的理论和方法,对东胡青铜纹饰进行分类,以期总结出纹饰内涵；第五章在对东胡青铜纹饰与匈奴和鲜卑进行纵向和横向比较之后,以期总结出东胡器物纹饰自有特点,更进一步窥探出东胡政治、经济及文化特征。鉴于东胡系统在早期东北古代民族史中的重要地位及数十年以来东胡民族研究正在成为国际显学的大背景；又因为20世纪后半叶及至21世纪初叶北方民族考古发掘所取得的新进展；与此同时,国际国内学术界对中国古代青铜器纹饰研究,也取得了长足的发展,形成了一套新的研究理论与方法；这些都对东胡民族文化的研究有直接的帮助。因此,笔者希望借助这一意义十分重要而研究相对薄弱的领域为切入点,通过对青铜纹饰种类、艺术特征、文化内涵的系统梳理和分析,总结出东胡纹饰自身特点及其所反映的政治、经济、文化情况,以期弥补关于东胡社会文化记载相对缺乏的现状。
[Abstract]:The East is living in an ancient ethnic minority in Northeast China, the rich development of ancient history of North Chinese has played an indelible contribution. Because of lack of East of the history record, and had an important position in the Donghu northern grassland, more descendants of Wuhuan, Xianbei, Khitan, Shiwei, important the role of Mongolia in the development of our national history, so it is particularly urgent to study.
Now the tombs from 1959, although have found several graves but have not been Donghu, system arrangement. So one of my research contents, is the Donghu graves after careful collation and analysis, to fill the vacancies.
Research on the current situation, the Donghu studies only focused on the origin and historical development of the study and comb, the Donghu in social and political, economic and social and cultural awareness of the relative lack of records. The author hopes to analyze physical patterns to enrich and perfect these aspects.
However, the current research on Donghu pattern is just at the stage of general description, without generalizing and finishing, of Donghu bronze ornamentation is blank. The author will use the theory of art, the theory and method of image and the bronze of the Shang and Zhou dynasties in Central Plains, the classification of Donghu bronze decoration, and summarized, and on the basis of further analysis of its artistic characteristics and cultural connotations behind.
The ancient northern grassland, China vast territory, has a long history, known as the "horse nation" Jin Hun and Xianbei minority since ancient times living in this land. In the long history of years, they created the world's unique grassland culture in the grassland. The bronze and gold and silver art. As a treasure house of ancient culture Chinese adds an important sum. Because of the Xiongnu and Xianbei and Donghu have similar cultural backgrounds and geographical factors, so the author intended to be the descendants of Donghu Donghu with the same period of Xianbei do a horizontal and vertical comparison, in order to summarize its features of Donghu decorative objects, once more into the endoscope out of the political, economic and cultural characteristics.
In the introduction, mainly introduces the origin, research status and research contents. The first chapter mainly introduces the history of the political situation, Donghu, economy and culture; the second chapter, the 42 tombs of Donghu 5 site unearthed and excavated systematically summarized and summed up the general characteristics of the tombs excavated; the third chapter on the basis of analysis of art of bronze decoration on the Donghu classification; the fourth chapter in the use of the theory and method of the Shang and Zhou dynasties bronze decoration of the Central Plains, the classification of Donghu bronze ornamentation to summarize, decoration within the culvert; in the fifth chapter of Donghu bronze decoration for vertical and horizontal comparison with the Xiongnu and Xianbei, in order summarize the Donghu decorative objects has its own features, further pry the Donghu political, economic and cultural characteristics.
In view of the Donghu system important position in the early ancient national history in Northeast China and Donghu ethnic studies have become an international school; new progress again because the second half of twentieth Century and early twenty-first Century northern national archaeological excavations made; at the same time, domestic academic circles to study China ancient bronze ware, also has made great strides the development, the formation of a new theory and method research; these are studies on Donghu culture have a direct help. Therefore, the author hopes that the research is very important and the weak field as the starting point with this meaning, the bronze ornamentation types, art features, system carding and analysis of cultural connotation and summed up the characteristics of Donghu pattern and reflects the political, economic, cultural, in order to compensate for the relative lack of social and cultural status of Donghu recorded.

【学位授予单位】：中央民族大学
【学位级别】：硕士
【学位授予年份】：2010
【分类号】：K876.41

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