论西域样式凹凸法与天竺遗法

发布时间：2018-03-03 20:17

  本文选题：佛教绘画　切入点：西域凹凸法　出处：《敦煌研究》2017年02期 　论文类型：期刊论文

【摘要】：西域式"凹凸法"是西域样式佛画最基本的技法之一,它虽以古印度晕染法为根基,但同时也是在糅合其他相异文化因素的基础上发展而来的,其技巧、程式、效果与所谓的"天竺遗法"有着显著的区别。因此,在有关"西域绘画"的研究中,应将"天竺遗法"与西域式"凹凸法"予以区分,如此才能更清晰地把握西域样式佛画的风格和特征。
[Abstract]:The "concave and convex method" of the Western region is one of the most basic techniques of the Western region style Buddha painting. Although it is based on the ancient Indian dizziness method, it is also developed on the basis of blending other different cultural factors. There is a significant difference between the effect and the so-called "Tianzhu method". Therefore, in the study of "painting in the Western region", the "Tianzhu method" should be distinguished from the "concave and convex method" of the Western region style. In this way, we can grasp the style and characteristics of Western style Buddha painting more clearly.
【作者单位】： 上海艺术研究所;
【基金】：文化部艺术科学基金项目“佛教绘画的西域样式研究”(2014BF03593)
【分类号】：K879.4
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本文编号：1562545