唐代铜镜上葡萄纹的初步研究

发布时间：2018-03-14 05:43

本文选题：唐代　切入点：葡萄纹　出处：《西北大学》2012年硕士论文　论文类型：学位论文

【摘要】：唐代不仅是中国历史上一个重要的民族大融合时期,而且是外来文化传入、对外交流频繁的时期。在这一时期,葡萄纹饰是吸收外来的文化并对中国本土装饰纹样产生重要影响的文化因素之一。它由国外传入,经过中国工匠的改造,适应了中国的装饰风格,这对研究中外文化交流有重要意义。本文试图借鉴已有的考古发现和研究成果,对铜镜上的葡萄纹饰进行进一步的研究。本文主要以中国境内发现的唐代(公元618-907年)铜镜上的葡萄纹饰为研究对象,把唐代所有带有葡萄纹饰的铜镜统称为葡萄镜,这其中包括典型的瑞兽葡萄镜,属于瑞兽葡萄镜的鸾兽葡萄镜和葡萄蔓枝镜,此外还包括带有葡萄枝蔓和果实图案的铜镜。文章首先概述葡萄称谓的演变、葡萄树和葡萄酒的传入,以及葡萄种植在内地的推广和葡萄酿酒术的引进。其次对葡萄镜进行分类、分型、分期的研究。本文按铜镜形状将葡萄镜分为四型；然后各个型按照镜背葡萄纹饰的不同分为若干式；按照纪年墓出土的铜镜进行排队,把没有明确年代的插进队列,在变化最为明显的地方分期,一共分为四期：萌芽期、发展和鼎盛期、延续期、衰落期。最后观察各期葡萄纹的演变关系,并将铜镜上的葡萄纹与唐代金银器、石刻、丝织品、墓葬壁画、石窟内的葡萄纹进行对比,找出其中的承继关系；将铜镜上的葡萄纹与中国境内出土的外来文物上的葡萄纹进行对比,找出其中的借鉴和创新关系,并力求从微观方面来揭示唐代中西方文化交流的状况。
[Abstract]:The Tang Dynasty was not only an important period of national integration in Chinese history, but also a period when foreign cultures were introduced and foreign exchanges were frequent. Grape ornaments are one of the cultural factors that absorb foreign culture and have an important influence on Chinese native decorative patterns. They were introduced from abroad and adapted to Chinese decoration style through the transformation of Chinese craftsmen. This is of great significance to the study of cultural exchanges between China and foreign countries. This paper attempts to further study the grape ornaments on bronze mirrors using the existing archaeological discoveries and research results for reference. In this paper, the grape ornaments on the bronze mirror of the Tang Dynasty (AD 618-907) found in China were taken as the research object, and all the bronze mirrors with the grape ornaments in the Tang Dynasty were collectively called grape mirrors, which included the typical Ruivian grape mirrors. The Luan Grape Mirror and the Vine Vine Branch Mirror, which belong to the Ruiwei Grape Mirror, also include the bronze mirror with the pattern of the vine and the fruit. The article first summarizes the evolution of the grape appellation, the introduction of the grape tree and wine, And the promotion of grape planting in the interior and the introduction of grape wine making. Secondly, the classification, classification and staging of grape mirror are studied. The grape mirror is divided into four types according to the shape of copper mirror. Then each type is divided into several types according to the different patterns of the grape ornaments on the back of the mirror. According to the bronze mirrors unearthed from the Jiannian Tomb, they are lined up and inserted into the queue where there is no definite age, and they are divided into four stages in all, where the changes are most obvious: the budding period. Development and heyday, continuation and decline. Finally, the relationship between the grape lines of each period was observed, and the grapevine patterns on the bronze mirror were compared with those in the Tang Dynasty gold and silver, stone carvings, silk fabrics, tomb murals, and grapevine patterns in the grottoes. Find out the inheritance relationship, compare the grape lines on the bronze mirror with the grape lines on the foreign cultural relics unearthed in China, find out the reference and innovation relation, and try hard to reveal the situation of the cultural exchange between China and the West in the Tang Dynasty from the micro aspect.
【学位授予单位】：西北大学
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：K875.2

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