淮北地区汉画像石神话图式研究

发布时间：2018-03-20 10:00

本文选题：淮北地区　切入点：汉画像石　出处：《淮北师范大学》2010年硕士论文　论文类型：学位论文

【摘要】：摘要:汉画像石作为汉代所特有的墓室建筑基础构件,题材丰富、内容生动,展现了一个“品类群生,杂物奇怪”的艺术天地,代表了汉代装饰艺术的辉煌成就。汉代是个造神的时代,在继承先秦楚韵、齐风的基础上,在汉代厚葬文化的浸润中,在民众通俗文化的渗透下,神话图式以画像石为载体得到衍生和大量涌现,展现着汉代人独特的精神世界和美学特质。淮河流域跨越地域范围广泛,文化层次丰富,文化面貌复杂,艺术也呈现出多元文化并存的包容性、多种地域文化互渗的过渡性、各种文化兼容并蓄的开放性特色。淮河以北地区作为淮河流域的一个典型代表,是汉代之心腹,此地区汇合了以山东齐鲁文化、河南中原文化、江苏吴文化以及湖北楚文化为代表的多种地域文化,此地区出土的汉画像石,在全国范围来看也是极具有代表性的一支,各地方由于地域性差异,使神话图式多姿多彩,多元一体,和中有异,异中求同,体现出艺术上的原生性、源发性的特质,彰显了汉代装饰艺术的魅力。本文立足于地域文化的研究和探讨,以淮北地区出土的汉画像石神话图式为研究对象,先将其从天上仙界、人间世界和地下冥界三个大的系统进行分类,每个时空选取具有典型意义的图饰从其功能性、审美性、象征性上进行解析,阐释神话图式的文化内涵,挖掘汉代人特有的世界观和人生哲学观。之后本文着重从地域文化的角度进行比较分析,先对淮北地区所包含的地域文化影响之下的汉画像石神话图式风格进行比较,研究本地区不同地域文化形态在同一政治气候、同一意识形态下,由于地理因素、地质特点、民风俗物的不同对神话图式的不同表现形式和表现手法,发掘地域文化的丰富性、和多姿性;之后又将本区之外的地域文化熏染下的图饰风格进行比对,从而在更深层次的挖掘汉画像石神话图式的精神内涵和文化底蕴。对不同地域神话图式的文化构成、美学特色作出细微的分析,并将其艺术魅力应用于现代装饰绘画的设计中,将我国深厚的传统艺术文化和现代美学理念融合,以指导自己的创作实践。
[Abstract]:Abstract: as the basic component of the tomb building in Han Dynasty, the stone relief in Han Dynasty is rich in subject matter and vivid in content, showing an artistic world of "group of categories, strange sundries". It represents the brilliant achievement of the decorative art of the Han Dynasty. The Han Dynasty was an era of creating gods. On the basis of inheriting the pre-Qin rhyme of Chu Yun and Qi Feng, in the infiltration of the heavy burial culture of the Han Dynasty, the Han Dynasty was permeated by the popular culture of the people. The mythological schema, which is derived and sprung up in large numbers with the stone relief as the carrier, shows the unique spiritual world and aesthetic characteristics of the people in the Han Dynasty. The Huaihe River valley spans a wide range of regions, is rich in cultural levels, and has a complex cultural outlook. Art also presents a multi-cultural coexistence of inclusiveness, a transition of multiple regional cultures, and an open and inclusive culture. As a typical representative of the Huaihe River Basin, the area north of the Huaihe River is the confidant of the Han Dynasty. This region brings together a variety of regional cultures represented by Shandong Qilu Culture, Henan Central Plains Culture, Jiangsu Wu Culture and Hubei Chu Culture. The Han Stone unearthed in this region is also a representative branch in the whole country. As a result of regional differences, various places make mythological schemas colorful, pluralistic, and different in nature, seeking for common ground, reflecting the characteristics of originality and originality in art. Based on the research and discussion of regional culture, this paper takes the mythological pattern of Han Dynasty stone relief unearthed in Huaibei area as the research object. The earth world and the underground underworld are classified into three major systems. Each time and space selects graphic ornaments of typical significance to analyze their functions, aesthetics and symbolism, and explain the cultural connotations of the mythological schemata. Excavating the unique view of the world and philosophy of life in the Han Dynasty. Then this paper focuses on the comparative analysis from the angle of regional culture, and compares the mythological schema of the stone relief of the Han Dynasty under the influence of the regional culture in Huaibei region. Under the same political climate and the same ideology, this paper studies the different forms and expressions of different regional cultures in the same political climate and the same ideology, and explores the richness of regional culture because of the geographical factors, geological characteristics, the different forms and expressions of folk customs and customs to the mythological schemata. Then compare the style of painting and decoration influenced by regional culture outside this area, so as to excavate the spiritual connotation and cultural background of Chinese stone portrait mythology schema at a deeper level. To the cultural composition of different regional mythological schema, The aesthetic features are analyzed in detail, and their artistic charm is applied to the design of modern decorative paintings. The profound traditional art culture and modern aesthetic concepts are combined to guide their creative practice.
【学位授予单位】：淮北师范大学
【学位级别】：硕士
【学位授予年份】：2010
【分类号】：K879.4

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