南阳汉画像石“符号化”图像艺术的主体性研究及人本设计理念启示

发布时间：2018-03-31 01:23

本文选题：汉代画像石　切入点：主体性　出处：《重庆大学》2011年硕士论文

【摘要】：南阳汉画像石是汉代一种特殊的艺术造物形式,至今已有两千多年的历史。它既是南阳地域文化艺术的杰出代表,也是汉代中国整个社会政治、经济、文化、思想等的综合反映,堪称一部汉代的百科全书,具有极高的学术研究价值。本文在撰写上首先立足于国内外学术界对汉画像石研究的丰硕成果上,以南阳汉代画像石的创作主体---艺匠为论文研究的主要对象,以画像石的消费主体为论文研究的第二对象,通过对画像石产生的历史渊源、社会背景和观念意识的分析,并结合传统的造物设计理念,对画像石的主体性、工艺创作过程及所体现的工艺思想与观念进行深入的探讨与论述。本文由导论、本论和结论三部分构成。在导论部分主要介绍了论文的选题缘由、研究的目的与意义、国内外研究现状、研究的内容、论文的创新之处与研究价值、研究思路与方法等。本论是本文的核心与主要部分,由传统的“天人合一”观念做论文的前提与线索,通过对“人”在汉画像石产生中的意义分析,展开论述画像石的消费主体---墓主人、赞助者和社会公众,并分析消费群体的价值观念和画像石具有象征意义的“符号化”图像之间的关系。由消费者引出对画像石的创作主体---艺匠的重点研究,通过大量的文献资料、考古资料和实证资料,依据艺术学、社会学、历史学、考古学、民艺学、符号学等学科理论的支撑,分别从画像石艺匠的身份和地位、技艺的传承与创新、民间艺术的属性和画像石的制作过程等方面进行论述。从画像石的主体研究上,体现了具有“民本”意识的传统设计理念,即“天时、地气、材美、工巧”,论文接着探讨了“民本”设计与“人本”设计的区别与联系,画像石的“人本设计”理念对现代设计的启示和借鉴意义,并分析了现代设计中的“理性”论与“非理性”论的缺陷,从而提出建立“全面”的“以人为本”设计理念和设计体系。在结论部分,文章提出了建构传统与现代造物设计的精神桥梁,借鉴与汲取南阳汉代画像石和谐、系统的人本设计理念,予以现代艺术创作和设计以更多的启示和影响。
[Abstract]:The stone relief in Nanyang Han Dynasty is a special form of artistic creation in the Han Dynasty, which has a history of more than 2000 years. It is not only an outstanding representative of Nanyang regional culture and art, but also an outstanding representative of the whole social politics, economy and culture of the Han Dynasty. The comprehensive reflection of thoughts is an encyclopedia of the Han Dynasty, which is of great academic value. Firstly, based on the fruitful achievements of the academic circles at home and abroad on the study of the Han stone, this paper takes the main body of the creation of the stone relief in Nanyang Han Dynasty-the artisan as the main object of the paper. Taking the consumption subject of stone relief as the second object of the thesis, the author analyzes the historical origin, social background and concept consciousness of stone relief, and combines with the traditional design concept of creation, the subjectivity of stone relief. The craft creation process and the embodied craft thought and the idea carries on the thorough discussion and the elaboration. This paper is composed of three parts: introduction, this theory and conclusion. In the introduction part, it mainly introduces the reason, the purpose and significance of the research, the current research situation at home and abroad, the contents of the research, the innovation of the paper and the research value. This theory is the core and main part of this paper. The premise and clue of the thesis are made by the traditional concept of "the unity of nature and man", and the meaning of "man" in the stone relief in Han Dynasty is analyzed through the analysis of the meaning of "man" in the production of stone relief in the Han Dynasty. Expounding the main body of the consumption of the stone-the owner of the tomb, the patron of the tomb and the public, And analyzes the relationship between the value concept of the consumer group and the symbolic "symbolized" image of the stone relief. According to the theories of art, sociology, history, archaeology, folk art, semiotics and so on, the archaeological and empirical materials are based on the identity and status of stone craftsmen, the inheritance and innovation of techniques, respectively. This paper discusses the attributes of folk art and the process of making stone. From the main body research of stone relief, it embodies the traditional design idea with the consciousness of "people first", that is, "sky time, earth air, material beauty," The paper then discusses the difference and relation between "people-oriented" design and "human-based" design, and the inspiration and reference significance of the "human-based design" concept of stone relief to modern design. The defects of "rationality" and "irrationality" in modern design are analyzed, and the overall "people-oriented" design concept and design system are put forward. This paper puts forward the spiritual bridge between traditional and modern creation design, draws lessons from the harmony of stone relief in Nanyang Han Dynasty, and gives more inspiration and influence to modern art creation and design.
【学位授予单位】：重庆大学
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：K879.4

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