平定黑釉瓷器考
发布时间:2018-04-01 00:18
本文选题:黑釉瓷器 切入点:历史探究 出处:《太原理工大学》2010年硕士论文
【摘要】: 古老而神奇的定窑系平定黑釉陶瓷艺术一直从唐代延续到了今天,史籍记载中尤以宋代最为繁荣兴盛,传播之广、影响之大,它因其特殊的材质、复杂的烧制工艺、古朴自然的装饰艺术风格而名扬天下,它所创造出的产品无一不彰显出”用”与“美”的结合,是我国民间艺术的瑰宝,古州文化的奇葩。在平定黑釉瓷的发展史上,一代代无名的工匠们为瓷业艺术的发展献出了自己毕生的精力,同时也筑就了平定黑釉瓷器在中国陶瓷艺术史上不可替代的历史地位。 宋元时期,平定窑是我国北方地区一个重要的定窑系窑场,旧有“西窑”之称,其主要产品以黑釉刻花瓷著称。由于各方面的原因,平定黑釉瓷一直未经详细的考究。为了让世人能够更深刻的了解平定黑釉刻花瓷,本文以实地考察收集的刻花黑釉瓷为基本材料,运用考古类型学的分析法,以实证的方式考订平定黑釉的烧制年代,兴衰历程,同时结合大量的历史文献,以及前人的研究成果。从瓷器本身的造型、釉色,制瓷工艺与装饰等方面,对平定黑釉在我国北方地区烧制成功的原因进行了论述,从中探讨其装饰纹饰的构型规律及刻花装饰对现代装饰艺术的拓展。 本文共分为五个章节。第一章“绪论”,是以历史的角度引出平定黑釉瓷这个主题,探讨在不同时代的社会背景和文化环境下对平定瓷业发展的影响,历史的变更、政治经济的发展和文化思想的转变对瓷业的发展产生的种种复杂问题,以及某种器型的来源、用途及装饰意义等问题。为整体描述本文的主要内容、目的和意义,从而引出论点;第二章对平定黑釉瓷器的历史文化背景作一分析,主要从北方制瓷业大的社会背景到北方定窑系瓷器的历史最后逐渐缩小到平定黑釉瓷的历史,从中推断其烧制年代并对其兴衰的历史原因作一分析;第三章平定黑釉瓷器的艺术探究,从造型的演变、釉色的拓展、装饰题材的丰富、装饰技法的多样结合及审美的独特风格作了详细的探讨;第四章平定黑釉瓷器的影响,具体从古至今、从国内到国外,从瓷业地域的差异、经济文化的发展、瓷业之间工艺的交流以及对现代社会装饰艺术的影响进行了深入的阐述;第五章“结论”,谈论了定窑系平定黑釉瓷器复兴后的艰难历程,总结了平定黑釉瓷在当今社会中存在的深刻内涵,并由平定黑釉瓷的拓展畅想对现代生活的实用价值。它作为新一代的陶瓷语言给我们现今社会所带来的巨大作用。
[Abstract]:The ancient and magical art of pingding black glaze ceramics continued from the Tang Dynasty to the present day. In historical records, the Song Dynasty was the most prosperous and prosperous, spreading widely and having a great influence. It was due to its special material and complex firing technology. The ancient and natural decorative art style is famous all over the world. All the products it creates show the combination of "use" and "beauty", which is the treasure of Chinese folk art and the exotic flower of ancient state culture. In the history of the development of leveling black glazed porcelain, Generations of nameless craftsmen have devoted their life to the development of porcelain art, and at the same time have built the irreplaceable historical position of black glazed porcelain in the history of Chinese ceramic art. In the Song and Yuan dynasties, Pingding kiln was an important kiln in the north of China. It was called the "West Kiln". Its main products were famous for black glaze and engraved porcelain. Flat black glazed porcelain has not been studied in detail. In order to enable the world to have a deeper understanding of flat black glazed porcelain, this article takes the carved black glazed porcelain collected on the spot as the basic material and applies the analytical method of archaeological typology. In this paper, the author makes an empirical study on the burning age, rise and fall course of calming black glaze, combining with a large number of historical documents, as well as the research achievements of predecessors, from the aspects of porcelain itself, glaze color, porcelain making technology and decoration, etc. This paper discusses the reasons for the successful firing of Pingding black glaze in northern China, and probes into the pattern of decoration patterns and the expansion of carved decoration to modern decorative art. This paper is divided into five chapters. The first chapter "introduction" is a historical point of view to lead to the flat black glazed porcelain, to explore the social background and cultural environment in different times on the development of Pingding porcelain industry, historical changes, The development of politics and economy and the change of culture and thought have brought all kinds of complicated problems to the development of porcelain industry, as well as the origin, use and decorative significance of a certain type of apparatus. The main content, purpose and significance of this paper are described as a whole. The second chapter makes an analysis of the historical and cultural background of Pingding black glazed porcelain, mainly from the social background of the northern porcelain industry to the history of the Northern Dingyao system porcelain, which is gradually reduced to the history of levelling black glazed porcelain. The third chapter explores the art of calming down black glazed porcelain, from the evolution of modeling, the development of glaze color, the rich theme of decoration, The fourth chapter discusses the influence of black glazed porcelain, from ancient to present, from domestic to foreign, from the regional difference of porcelain industry, the development of economy and culture, The communication between the porcelain industry and the influence on the decorative art in modern society is expounded in depth. Chapter five, "conclusion", discusses the difficult course of the revival of the black glazed porcelain in the Dingyao system. This paper summarizes the profound connotation of Pingding black glazed porcelain in today's society and its practical value to modern life from the development of Pingding black glazed porcelain, which, as a new generation of ceramic language, has brought great effect to our society today.
【学位授予单位】:太原理工大学
【学位级别】:硕士
【学位授予年份】:2010
【分类号】:K876.3
【引证文献】
相关硕士学位论文 前2条
1 李婷;宋代平定窑刻花瓷的审美艺术研究[D];景德镇陶瓷学院;2012年
2 米甜甜;山西民间定窑的研究[D];山西大学;2012年
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