中国岩画与中国文字的关系

发布时间：2018-04-02 03:05

本文选题：岩画风格　切入点：符号　出处：《中国海洋大学》2010年硕士论文

【摘要】：《中国岩画与中国文字的关系》一文由引言、中国岩画题材及母题、中国岩画的风格、中国岩画符号、中国岩画与中国文字、结语及参考文献七部分组成。引言包括岩画的研究概况及研究中的问题和中国岩画的分布两部分,并根据岩画的分布状况,将中国岩画分为南北两大系统。第一章介绍中国岩画的题材及母题。中国岩画题材大致可以分为八种：动物岩画、生产岩画、社会生活岩画、冲突与战争岩画、原始宗教信仰岩画、计数符号岩画、图画文字与字母岩画、娱乐岩画。这些固定的题材及母题使得岩画表达的意义、表达的方式趋于固定,同时使得岩画的风格也趋于稳定。第二章介绍中国岩画的风格。中国岩画大体可以分为写实和写意两种风格。写意风格的岩画又分为象征性、图案化、程式化三类。固定的岩画风格,尤其是写意风格岩画为象形文字的出现提供了基础。而岩画由写实向写意的转变过程与文字的发展过程相同。第三章介绍中国南北方岩画中的符号。岩画符号包括抽象符号和具象符号两种。中国岩画风格的不断发展,使得符号频繁出现,这是岩画向文字转变的一种内在因素。第四章介绍中国岩画与文字的关系。岩画中有文字符号,有类似文字的符号,它们与文字相互影响。无文字时代岩画发挥着文字的作用,岩画的发展过程与文字的发展过程相似。岩画是象形文字的起源之一。本文以大量的岩画材料为依据,采用归纳和比较的研究方法对岩画与文字的关系进行研究,从而确定两者的关系。
[Abstract]:The relationship between Chinese Rock painting and Chinese characters is composed of seven parts: introduction, theme and motif of Chinese Rock painting, style of Chinese Rock painting, symbol of Chinese Rock painting, Chinese Rock painting and Chinese characters, conclusion and reference. The introduction includes the general situation of rock painting research and the problems in the study and the distribution of Chinese rock painting. According to the distribution of rock painting, the Chinese rock painting is divided into two major systems of north and south. The first chapter introduces the subject matter and motif of Chinese rock painting. Chinese rock painting can be divided into eight types: animal rock painting, production rock painting, social life rock painting, conflict and war rock painting, primitive religious belief rock painting, counting symbol rock painting. These fixed subject matter and motif make the meaning of the expression of rock painting, the way of expression tend to be fixed, at the same time, the style of rock painting tends to be stable. The second chapter introduces the style of Chinese rock painting. Chinese rock painting can be divided into realistic and freehand style. The rock painting of freehand brushwork style is divided into symbolic, pictorial, stylized, fixed rock painting style. Especially the freehand style rock painting provides the foundation for the appearance of hieroglyphics, and the transformation process of rock painting from realistic to freehand brushwork is the same as the development process of characters. The third chapter introduces the symbols in the rock paintings of the south and north of China. The symbols of rock paintings include abstract symbols and figurative symbols. The continuous development of the style of Chinese rock paintings makes the symbols appear frequently, which is an internal factor in the transformation from rock paintings to characters. The fourth chapter introduces the relationship between Chinese rock paintings and characters. There are character symbols in rock paintings, which are similar to characters, and they interact with characters. In the age of no characters, rock paintings play a role in writing. Rock painting is one of the origins of hieroglyphics. Based on a large number of rock painting materials, this paper studies the relationship between rock painting and characters by means of induction and comparison, so as to determine the relationship between them.
【学位授予单位】：中国海洋大学
【学位级别】：硕士
【学位授予年份】：2010
【分类号】：H12;K879.4

【引证文献】