河洛地区汉代四神图像研究

发布时间：2018-04-12 19:00

本文选题：河洛地区 + 四神图像　；参考：《东北师范大学》2010年硕士论文

【摘要】： 四神,又称四灵、四象、四宫等,包括青龙、白虎、朱雀、玄武。从考古发掘资料看,河洛地区四神最初组合出现在6000多年前的濮阳西水坡遗址中。在汉代,河洛地区是四神图像的繁荣中心,在该地区出土的壁画、画像石、铜镜、陶器等都有四神图像的纹样。汉代四神图像绘在墓葬中、建筑上、生活用品中,不仅仅具有艺术价值,更具有深层的历史文化价值、思想价值。总体上反映了汉代人的巫术宗教观、天文宇宙观、审美观、哲学观、政治观等。因此研究汉代河洛地区四神图像,有利于了解汉代人的丧葬礼俗,利于了解汉代大一统的局面下,河洛文化与其他地区文化之间的交流。前辈学者对四神的研究大多集中在四神图像的个案研究上,并且对洛阳、南阳两地出现的四神图像研究较多;有的学者还对汉代四神的起源做过研究。而很少有学者对汉代河洛地区的四神做系统的区域性的研究。笔者将根据古文献资料和考古发掘资料,结合前辈研究成果,从汉代四神图像的起源、河洛地区汉代四神图像繁荣的原因、汉代四神图像在河洛地区的题材内容及兴衰、从四神图像看汉代河洛地区与其他地区的交流四个方面入手对河洛地区汉代四神图像做系统的研究。
[Abstract]:Four gods, also known as four spirits, four elephants, four houses, including Azure Dragon, White Tiger, Vermilion Bird, Black Tortoise.According to the archaeological excavations, the initial assemblage of Sishen in Heluo area appeared in the Xishuipo site of Puyang more than 6000 years ago.In the Han Dynasty, the region of Heluo was the prosperous center of the four-god image. The frescoes, stone portraits, bronze mirrors, pottery and so on unearthed in the region all had the patterns of the four-god images.The images of the four gods in Han Dynasty are not only of artistic value, but also of deep historical and cultural value and ideological value.In general, it reflects the religious view of witchcraft, astronomical view, aesthetic view, philosophy view, political view and so on.Therefore, the study of the images of the four gods in the He-luo area of the Han Dynasty is conducive to the understanding of the funeral rites and customs of the Han Dynasty and the communication between the Helio culture and other regional cultures under the situation of the unification of the Han Dynasty.The previous generation of scholars mostly focused on the four gods image case study, and Luoyang, Nanyang image of the four gods appear more research; some scholars have also done research on the origin of the four gods in the Han Dynasty.However, few scholars have made systematic regional research on the four gods in the Heluo area of the Han Dynasty.According to the ancient literature and archaeological excavations, the author will combine the research results of the predecessors, from the origin of the four gods images in the Han Dynasty, the reasons for the prosperity of the four gods images of the Han Dynasty in the Heluo area, the content of the subject matter of the four gods images of the Han Dynasty and the rise and fall of the four gods images in the Heluo area.This paper studies the four gods images of the Han Dynasty from the four aspects of the communication between the four gods and other areas in the Han Dynasty.
【学位授予单位】：东北师范大学
【学位级别】：硕士
【学位授予年份】：2010
【分类号】：K878

【引证文献】