神物:汉末三国之石刻志异

发布时间：2018-04-24 05:17

  本文选题：石刻 + 汉末　； 参考：《南京大学学报(哲学·人文科学·社会科学)》2017年02期

【摘要】：在汉末三国时代,石刻是一种重要的文献形式,而刻石则是一种蕴涵丰富的文化活动。有关石刻的种种神异现象的载录及其阐释,凝聚成视石刻为“神物”这样一种思想观念。这一观念固然可以远溯其历史文化之渊源,然其在汉末三国表现得尤其突出,则主要是彼时政治与文化环境使然。正史、杂史、地理书以及志怪小说等诸种历史文献对石刻志异现象的关注,以前所未有的广度,反映了石刻文献独特而丰厚的文化意义。
[Abstract]:Stone carving was an important document form in the late Han Dynasty and three Kingdoms period, and stone engraving was a rich cultural activity. The record and interpretation of various deity phenomena in stone carvings condense into the idea that stone carvings are regarded as "gods and objects". Although this concept can be traced back to its historical and cultural origins, it was especially prominent in the three Kingdoms in the late Han Dynasty, but it was mainly due to the political and cultural environment at that time. The historical literature such as official history, miscellaneous history, geography books and strange novels pay more attention to the phenomenon of stone inscription, which reflects the unique and rich cultural significance of stone inscription literature.
【作者单位】： 南京大学文学院古典文献研究所;
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本文编号：1795313