夏周商的青铜器美学研究

发布时间：2018-05-03 15:16

本文选题：夏商周青铜器 + 审美特征　；参考：《西北大学》2011年硕士论文

【摘要】：从历史学角度来看,青铜器是夏商周社会、政治、宗教、文化高度浓缩的物质代表；从美学角度来看,青铜器是夏商周艺术审美的物态化体现。然而将历史与审美相互融合,青铜器则是中国美学由原始的审美意识发展为中国传统美学思想的缩影。春去秋来,体现着青铜器美学精神的传统美学思想在现代社会依然折射着耀眼的光芒。基于上述认识,论文以青铜器本身作为切入点,以美学与美学史的基本理论为阐述依据,按照时代先后顺序,将夏商周青铜器放置于不同的时代背景下,对其造型、纹饰、铭文等美学特征进行分析阐释,揭示了夏商周青铜器基本的美学内涵,挖掘出形成中国传统美学思想的精神根源。论文最后分析了夏商周青铜器美学对现代造物审美与社会核心价值观的影响。论文由此分为以下五个部分：第一章：绪论。简要阐述本论文的研究背景、研究现状、研究目的和意义、研究内容与方法等。第二章：夏商周青铜文化源起的背景。主要分析青铜文化源起的政治、经济、文化等历史背景及青铜文化源起的美学背景,即：原始审美意识的形成。第三章：夏商周青铜器的美学分析。按照时代顺序的脉络,对夏商周青铜器的造型形式,纹饰意蕴,铭文书法等审美特征进行分析。第四章：夏商周青铜器的美学思考。主要分析夏商周青铜器的美学对现代造物艺术的影响及通过中国传统儒家美学思想对现代构建和谐社会的影响。最后,在“结语”部分,论文提出夏商周青铜器美学内涵是中国传统美学思想的精神基础,其精髓影响着现代美学观念,促进着造物艺术的发展与和谐社会的构建。
[Abstract]:From the historical point of view, bronze ware is a highly concentrated material representative of society, politics, religion and culture in Xia, Shang and Zhou dynasties; from an aesthetic point of view, bronze ware is the materialized embodiment of artistic aesthetics in Xia, Shang and Zhou dynasties. However, by combining history with aesthetics, bronze ware is the epitome of the development of Chinese aesthetics from primitive aesthetic consciousness to Chinese traditional aesthetic thought. In the modern society, the traditional aesthetic thought, which embodies the spirit of Bronze Aesthetics, still reflects the dazzling light. Based on the above understanding, the paper takes bronze ware itself as the breakthrough point, based on the basic theory of aesthetics and aesthetic history, according to the order of the times, places the bronze ware in different times background, shapes and ornaments the bronze ware in Xia, Shang and Zhou dynasties. By analyzing and explaining the aesthetic characteristics of inscriptions, this paper reveals the basic aesthetic connotation of bronze ware in Xia, Shang and Zhou dynasties, and excavates the spiritual root of forming Chinese traditional aesthetic thought. Finally, the paper analyzes the influence of bronze aesthetics on modern creation aesthetics and social core values. The thesis is divided into the following five parts: Chapter one: introduction. This paper briefly describes the research background, research status, research purpose and significance, research content and methods. Chapter two: the background of bronze culture in Xia, Shang and Zhou dynasties. This paper mainly analyzes the historical background of the origin of bronze culture, such as politics, economy and culture, and the aesthetic background of the origin of bronze culture, that is, the formation of primitive aesthetic consciousness. Chapter three: aesthetic analysis of bronze ware in Xia, Shang and Zhou dynasties. According to the sequence of times, this paper analyzes the aesthetic features of bronze ware in Xia, Shang and Zhou dynasties. Chapter four: aesthetic thinking of bronze ware in Xia, Shang and Zhou dynasties. This paper mainly analyzes the influence of bronze ware aesthetics in Xia, Shang and Zhou dynasties on the art of modern creation and the influence of Chinese traditional Confucian aesthetics on the construction of harmonious society. Finally, in the conclusion part, the paper puts forward that the aesthetic connotation of bronze ware in Xia, Shang and Zhou dynasties is the spiritual basis of Chinese traditional aesthetic thought, whose essence influences the modern aesthetic concept and promotes the development of creation art and the construction of harmonious society.
【学位授予单位】：西北大学
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：K876.41

【引证文献】