重庆库区汉晋时期人物俑的初步研究

发布时间：2018-05-09 00:39

本文选题：重庆库区 + 汉晋时期　；参考：《重庆师范大学》2013年硕士论文

【摘要】：重庆在先秦时期曾是古巴国的国都,两汉时期隶属于益州刺史部,东汉灭亡后为蜀汉之地,西晋时隶属梁州刺史部,后巴氐族在此地建立成汉政权,后被东晋朱温所灭,隶属于东晋。汉晋政权对当时的巴蜀地区进行了长期的有效统治和开发经营,使得当地文化融入到了统一的汉文化系统之中。汉晋时期巴蜀地区经济的发达,物产丰富,人民生活富足,表现在人民生时追求享受,纵情享乐,死后信奉“视死如生”的观念,流行厚葬。陶俑作为随葬品随葬在墓室中,一方面象征能继续侍奉墓主人,另一方面或许是有其他宗教意义。总之,随葬陶俑这一习俗一直盛行于汉晋及以后时期。自20世纪90年代以来,伴随着三峡工程的建设,重庆三峡库区大量的文物古迹被发掘和整理。在众多的汉晋时期墓葬中,出土了大量的随葬器物,其中包括了形式多样的陶俑,本文研究的主要为人物俑。本文主要采用分类法和考古类型学的方法,将考古发掘资料与历史文献相结合,首先从重庆库区汉晋时期墓葬中陶俑的发现和分布情况入手,从考古资料出发,将本地区的陶俑按照各自的形制进行分类,主要分为侍俑、歌舞乐伎俑、生活俑、武士俑、文官俑及其他这六大类,并依此对这几类陶俑进行介绍;其次,按照陶俑的发展变化和特点,将汉晋时期出土的陶俑分为西汉时期、新莽——东汉早期、东汉中晚期和蜀汉——晋这四个时期进行讨论,清理出陶俑从兴起到盛行到衰落这样一个过程;最后,本文从本地陶俑的制作、模件体系、搭配组合以及歌舞乐伎俑与汉晋社会生活这两个方面进行了讨论,本地陶俑在大量模制的情况下有自己的模件体系,并以搭配组合的方式进行着商品流通,看出当时社会的习俗与市场情况;并且从本地区流行随葬的歌舞乐伎俑这一情况,看出歌舞音乐在当时社会的日常生活与祭祀活动中的重要性。通过对重庆库区汉代及魏晋时期墓葬中出土的陶俑资料进行研究和分类,试着对这一地区陶俑的发展脉络和发展关系进行一个初步的探究,从而来了解这一时期的社会文化形态。
[Abstract]:Chongqing was the capital of Cuba in the pre-Qin period. During the Han Dynasty, it was attached to the Ministry of the History of Yizhou thorns. After the death of the Eastern Han Dynasty, it was the land of the Shu Han Dynasty. At the time of the Western Jin Dynasty, it was attached to the Department of the History of the thorns of Liang Zhou. The later Di Ba people established a Han regime here, which was later destroyed by Zhu Wen of the Eastern Jin Dynasty. Subordinate to the Eastern Jin Dynasty. The regime of Han and Jin dynasties ruled and developed the Bashu area for a long time, so that the local culture was integrated into the unified Han culture system. During the Han and Jin dynasties, the economic development, rich products and rich life of the people in Bashu area were manifested in the pursuit of enjoyment and indulgence in the life of the people. After death, they believed in the concept of "taking death as life" and popular burial. The terracotta warriors are buried in tombs as burial objects, symbolizing the continued service of the tomb owners and perhaps other religious significance. In short, the custom of burial pottery figures has been prevalent in the Han and Jin dynasties and later periods. Since the 1990s, with the construction of the three Gorges Project, a large number of cultural relics and monuments have been excavated and sorted out in the three Gorges Reservoir area of Chongqing. In many tombs of the Han and Jin dynasties, a large number of funerary objects were unearthed, including a variety of pottery figurines. This article mainly adopts the taxonomy and the archaeological typology method, unifies the archaeological excavations data and the historical literature, starts with the discovery and distribution of the pottery figures in the Han and Jin dynasties in Chongqing reservoir area, and starts from the archaeological data. The pottery figurines in this area are classified according to their own shapes, and are mainly divided into six categories, namely, the waiting figurines, the Kabuki figures, the life figures, the terracotta warriors, the civil figures and other categories, and then introduces these types of terracotta figures; secondly, According to the development and characteristics of the pottery figurines, the pottery figures unearthed in the Han and Jin dynasties are divided into four periods: the Western Han Dynasty, the New Mang early Eastern Han Dynasty, the Middle and late Eastern Han Dynasty and the Shuhan-Jin period. Finally, this paper discusses the production, module system, collocation and combination of the pottery figurines, as well as the kabuki figurines and the social life of the Han and Jin dynasties. The local terracotta warriors have their own modular system under a large number of moulding conditions, and they are circulating goods in the form of combinations, which shows the customs and market conditions of the society at that time; and from this situation, the popular kabuki figures of burial in this area are popular. The importance of song and dance music in the daily life and sacrificial activities of the society at that time was seen. Based on the study and classification of the pottery figures unearthed in the Han Dynasty and Wei and Jin dynasties in Chongqing Reservoir area, this paper tries to make a preliminary inquiry into the development context and relationship of the pottery terracotta figures in this area. In order to understand this period of social and cultural patterns.
【学位授予单位】：重庆师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：K876.3

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