是谁绘事出寻常——以北京画院藏《三阳开泰图》为中心

发布时间：2018-05-13 07:46

  本文选题：三阳开泰 + 九阳消寒　； 参考：《中国国家博物馆馆刊》2017年09期

【摘要】：本文以北京画院藏《三阳开泰图》为中心,搜集古代绘画作品中具有骑羊童子图像的画作18幅,通过对"三阳开泰"与"九阳消寒"寓意物化为宫廷图像传达方式的分析,结合11幅骑羊童子画像进行比对,试图厘清冬至与立春不同节令所绘图像的具体意涵,继而将画作中具有鲜明时代特征的图像标志或器物特征、服饰纹样等纳入历史发展范畴,确定此类画作的绘制时间。其中结合元明杂剧文本《脉望馆钞校本古今杂剧》中的相关信息,力图更加明晰骑羊童子形象的来源应当与宫廷戏曲相关。通过上述研究,初步推断北京画院藏《三阳开泰图》的绘制时段为清代末年。文章结尾将"三阳开泰"图像研究与文本分析延伸至民国时期,以突出古代历史画作中"三阳"与"九阳"的特殊意义所在。
[Abstract]:Based on the collection of "Sanyang Kaitai Pictures" by the Beijing Academy of painting, this paper collects 18 paintings with the image of a boy riding a sheep in ancient paintings, and through the analysis of the implication of "Sanyang Kaitai" and "Jiuyang dispelling the Cold" as the conveyance mode of the palace image, Based on the comparison of 11 portraits of the boy riding sheep, this paper tries to clarify the specific meaning of the images drawn by the Winter Solstice and the Beginning of Spring in different seasons, and then brings into the historical development category the image signs or utensils and clothing patterns that have distinctive characteristics of the times in the paintings. Determine the time to draw such a painting. In combination with the relevant information in Yuan and Ming Dynasty Zaju text "Mai Wang Guan banknote School-based Zaju Drama", the author tries to make it clear that the origin of the image of the boy riding sheep should be related to court opera. Based on the above research, it is preliminarily inferred that the drawing period of Sanyang Kaitai Picture in Beijing painting Institute is the last year of Qing Dynasty. At the end of the article, the image research and text analysis of "Sanyang Kaitai" are extended to the period of the Republic of China, in order to highlight the special significance of "San Yang" and "Jiuyang" in ancient historical paintings.
【作者单位】： 北京画院理论研究部;
【分类号】：K879.4
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本文编号：1882293