生态博物馆的传统村落保护问题反思

发布时间：2018-05-17 09:06

本文选题：生态博物馆 + 传统村落　；参考：《东南文化》2017年06期

【摘要】：生态博物馆概念在中国是一个舶来品,而作为一种运动起源于西方后工业化反思对传统博物馆的改革,中国移植的主要是传统村落的生态博物馆模式的运用。但是,村落是一个主体生产单位,在现代化背景下,特定保护对象却往往被文化产业化开发,变成了特定文化产品的生产。这个过程中,村落从过去的生产自足过渡到非自足,形成了新的生产特征。但是,西方的生态博物馆理论与实践,一般采取实证主义路线,以原貌的原地性文化客体(实体)视角谋求所谓的保护和保存,与村落的主体性质和再生产性相悖,因而在实践上存在限度。中国实施传统村落保护工作,应深入分析生态博物馆理论的特征和不足,从村落作为生产单位及其主体利益出发,建立适合传统村落保护与发展的生产性支持体系。
[Abstract]:The concept of ecological museum is an import in China, but as a kind of movement originated from the reform of the traditional museum in the post-industrialization of the West, the main transplant in China is the application of the ecological museum model of the traditional village. However, the village is a main production unit. Under the background of modernization, the specific protected objects are often developed by the cultural industrialization and become the production of the specific cultural products. In this process, the village transition from past production self-sufficiency to non-self-sufficiency, formed a new production characteristics. However, the theory and practice of ecological museum in the west generally adopt the line of positivism and seek the so-called protection and preservation from the perspective of the in situ cultural object (entity) of the original appearance, which is contrary to the subject nature and reproductive nature of the village. Therefore, there are limits in practice. To carry out the protection of traditional villages in China, we should deeply analyze the characteristics and shortcomings of the theory of ecological museum, and set up a productive support system suitable for the protection and development of traditional villages from the perspective of the village as a production unit and its main interests.
【作者单位】：凯里学院;
【分类号】：G260;K878

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