辽宁地区钟磬的音乐考古学研究

发布时间：2018-05-20 09:39

本文选题：辽宁地区 + 钟　；参考：《沈阳音乐学院》2012年硕士论文

【摘要】：钟磬是“金石之乐”的代表,其使用标志着中国礼乐制度的建立。它承载着深刻的社会政治和文化内涵，对于真实的反映中国古代音乐文化极具价值。辽宁地区是人类开发较早的地区之一，名取辽河永久安宁之意。其名起始较晚，该名1929年民国时才有，但这一地区自夏商时期就已是幽州、营州之重地。其地域历代往复更迭，但都不属于正宗“中原”之地，所以主体文化具有鲜明的本地特色。从已知的辽宁钟磬出土实物和相关材料看，与中原钟磬为同一衣钵，但是明显滞后于同时期中原的同类乐器，在其细部有明显的燕属遗风。在为数不多的辽宁地区钟类乐器中，卤簿钟（北宋）与大晟南吕钟均真实地反映了当时的音乐文化历史特点、乐制及铸造技术的水平。具有较高的历史及艺术价值。笔者通过对钟体各部细节信息的梳理、辨析，运用比较法，总结其内在联系与本质特征。以所在历史背景为前提，依据相关文献及实物资料，，对当时的社会政治、文化内涵进行探究，从而得出结论。藏于沈阳故宫博物院的编磬、编钟，为清代早、中期重要的宫廷遗物，彰显了皇家威仪之象，为我们研究清代钟磬文化提供了可靠的实物资料。辽宁目前发现的出土石磬均属夏家店下层文化系统，如：水泉、北票、喀喇沁旗等遗址出土的文物，均具有相似的特征。夏家店下层文化与商文化有着密切的联系，是商文化的祖源之一，它继承了红山文化的传统，保持了自己独有的特点，又汲取周邻地区的先进文明，较早地进入到了国家文明社会。成为燕山南北地区在夏商时期文明成就的典范。本文主要以辽宁地区的钟磬乐器为研究对象，就其形制数据、纹饰铭文、功能、制作工艺等方面进行分析，通过对相关墓葬文化的探究，运用音乐考古学、音乐史学及音乐文献学相互佐证，进而勾勒出辽宁地区钟磬文化的基本特征，揭示其深刻的文化内涵、历史意义以及与其它地域之间的音乐文化差异。
[Abstract]:The bell chime is the representative of the golden stone music, and its use marks the establishment of the Chinese ritual and music system. It bears profound social, political and cultural connotations, and is of great value to reflect Chinese ancient music culture. Liaoning is one of the early human development areas, named Liaohe permanent tranquillity. Its name started late, it only existed in the Republic of China in 1929, but this area has been the most important part of the city since the Xia and Shang dynasties. Its region has changed from one generation to another, but all do not belong to the authentic "Central Plains", so the main culture has distinct local characteristics. From the known material and related materials, it is found that the chime is the same as the bell chime of the Central Plains, but obviously lags behind the same musical instruments of the Central Plains in the same period. Among the few bell instruments in Liaoning Province, the halogen bell (Northern Song Dynasty) and the Da Sheng Nan Lu Zhong truly reflected the historical characteristics of music culture, music system and the level of foundry technology at that time. It has high historical and artistic value. By combing and discriminating the detailed information of each part of bell body, the author summarizes its internal relation and essential characteristics by means of comparative method. On the premise of the historical background, according to the relevant literature and material materials, this paper probes into the social and political and cultural connotations at that time, and draws a conclusion. The compilation of chimes and bells hidden in Shenyang the Palace Museum, which are important relics of the court in the early and middle period of the Qing Dynasty, show the image of the royal majesty, and provide reliable material for us to study the Qing Dynasty bell chime culture. The unearthed stone chimes found in Liaoning are all of the lower cultural system of Xia Jia Dian, such as Shuiquan, Beipiao, Karakarqin Banner and so on, all of which have similar characteristics. The lower level culture of Xia Jia Dian is closely related to the Shang culture and is one of the ancestral sources of Shang culture. It inherits the tradition of Hongshan culture, maintains its own unique characteristics, and draws on the advanced civilization of the neighboring region. Early into the civil society of the country. Yanshan North and South regions in the Xia and Shang dynasties civilization achievement model. This article mainly takes the bell chime musical instrument in Liaoning area as the research object, carries on the analysis to its shape data, the grain decoration inscription, the function, the manufacture craft and so on, through to the correlation grave culture inquiry, uses the music archaeology, Music historiography and music philology support each other, and then outline the basic characteristics of bell chime culture in Liaoning, and reveal its profound cultural connotation, historical significance and music and cultural differences between Liaoning and other regions.
【学位授予单位】：沈阳音乐学院
【学位级别】：硕士
【学位授予年份】：2012
【分类号】：K875.5

【参考文献】