从汉藏文化融合看明清时期景德镇官窑藏瓷的定制——以西藏博物馆明清瓷器精品展展品为例

发布时间：2018-05-21 04:36

本文选题：汉藏文化 + 景德镇官窑　；参考：《中国陶瓷》2017年06期

【摘要】：以西藏博物馆明清瓷器精品展展品为研究对象,从汉藏文化交流角度,看融合汉藏文化元素的明清时期景德镇官窑藏瓷精品产生的社会历史背景,分析藏瓷的造型、装饰、色彩的设计艺术特色,感悟藏瓷所赋予藏传佛教的思想。通过实地考察和查阅文献资料及对照所拍摄实物图片的方法,研究得出,"梵式和汉式相结合"~([1])是明清时期景德镇官窑藏瓷的主要特点,体现出浓厚宗教色彩和神化的艺术审美特征,形成藏瓷特有的梵式艺术风格。
[Abstract]:Taking the fine porcelain exhibition of the Ming and Qing dynasties of the Tibet Museum as the research object, from the angle of the cultural exchange between the Han and the Tibetan, to see the social and historical background of Jingdezhen Guanyao Tibetan porcelain fine works in the Ming and Qing dynasties, and to analyze the shape and decoration of the Tibetan porcelain. The color of the design of the art features, to understand the Tibetan porcelain endowed with the thought of Tibetan Buddhism. On the basis of field investigation, literature review and comparison of the physical pictures taken, it is concluded that "the combination of the Brahmo style and the Han style" ([1]) was the main feature of the porcelain collection in Jingdezhen official kiln in the Ming and Qing dynasties. Reflects the strong religious color and deification of the artistic aesthetic characteristics, the formation of Tibetan porcelain unique style of the Vatican style of art.
【作者单位】：景德镇陶瓷大学;
【分类号】：K876.3

【参考文献】