三晋两周地区青铜容器纹饰初步研究

发布时间：2018-05-26 16:45

本文选题：三晋 + 两周国　；参考：《陕西师范大学》2014年硕士论文

【摘要】：周立伊始,为了巩固迅速扩大的疆域,吸取商灭亡的教训,大量封邦建国。其中叔虞封于唐,其子燮改号为晋。晋最初是“河汾之东,方一百里”,从春秋早期开始,晋国大规模向外扩张,吞并周围诸多小国。其后,晋国又拥有晋阳和长治地区,并越过太行山占据邯郸、朝歌等地,最终形成了北有代、西逾河、南接周郑、东邻齐鲁的疆域辽阔的诸侯大国,孕育了辉煌灿烂的晋文化。对三晋两周地区青铜容器纹饰的研究,不仅可以弄清三晋列国文化之间关系和差异,而且对了解当时整个东周时期社会转型和思想变化也有重要意义。本文通过对三晋两周地区青铜容器纹饰的研究,借助类型学与分期断代,理清其演变规律,总结三晋两周地区青铜容器纹饰的特点,为三晋两周国历史、文化的研究提供参考。通过与周边地区青铜纹饰的比较,揭示三晋两周地区青铜容器纹饰与其它青铜文化的互动关系及其在东周青铜文化中的地位。现将文章内容简单介绍如下：绪论部分介绍三晋两周地区青铜容器纹饰的研究现状及本文的研究对象、研究目的及思路与方法。第一章类型学研究。首先对三晋两周地区青铜容器纹饰作类型学研究,并把纹饰分为四大类：动物纹、植物纹、几何纹、人物画像纹。其次对三晋特色青铜纹饰做了介绍。第二章纹饰的分期与时代。第一节对三晋两周地区青铜容器纹饰进行分期与断代,分为四期：春秋早期、春秋中期、春秋晚期至战国早期、战国中期至战国晚期,并介绍了各期的特点。第二节对三晋两周地区主要纹饰的演变做了简单的总结整理。第三章纹饰的特点与文化因素分析。首先总结晋及韩、赵、魏青铜纹饰的特点。然后对三晋两周地区青铜容器纹饰包含的文化因素进行分析,厘清三晋两周地区青铜容器纹饰文化因素的来源。其文化因素主要来源于宗周,同时也受北方文化因素、南方文化因素的影响。第四章纹饰的风格及其社会背景。青铜器一定程度上盛放了当时的历史、文化和精神,而纹饰就是承载这些意象的主要载体之一。纹饰表现了其艺术审美背后人类精神文明。透过纹饰,对东周时期礼崩乐坏、世俗化及生命活力以及升天思想所反映的内涵做了简要论述。
[Abstract]:At the beginning of Zhou Li, in order to consolidate the rapidly expanding territory and draw lessons from the demise of merchants, a large number of states were sealed and founded. Uncle Yu was sealed in the Tang Dynasty, and his son changed the name to Jin. Jin was originally a "river fen east, a hundred li," from the early Spring and Autumn period, Jin large-scale outward expansion, annexation of many small countries around. After that, Jin had Jinyang and Changzhi area, and occupied Handan over Taihang Mountain, Chao Song and other places. Finally, it formed a dynasty in the north, a river in the west, Zhou Zheng in the south and a vast monarch in Qilu in the east, and gave birth to a splendid Jin culture. The study of bronze container ornaments in the two weeks of the three Jin dynasties can not only make clear the relationship and differences between the cultures of the three Jin dynasties, but also be of great significance to understand the social transformation and ideological changes of the whole period of the Eastern Zhou Dynasty at that time. Based on the study of bronze container decoration in the area of three Jin and two weeks, with the help of typology and stage dating, this paper clarifies its evolution law, summarizes the characteristics of bronze container decoration in three Jin and two weeks, and provides a reference for the study of history and culture of three Jin Dynasty and two weeks. By comparing with the bronze ornaments in the surrounding areas, this paper reveals the interaction between bronze container ornaments and other bronze cultures and their position in the bronze culture of the Eastern Zhou Dynasty. Here is a brief introduction to the content of the article as follows: The introduction part introduces the research status of bronze vessel decoration in three Jin and two weeks area, the research object, the purpose, the thought and the method. Chapter one is about typology. Firstly, the bronze vessel ornaments in the area of three and Jin dynasties are classified into four categories: animal, plant, geometric and portrait. Secondly, the bronze ornaments with the characteristics of the three Jin dynasties are introduced. The second chapter is about the stages and times of decoration. The first section is divided into four periods: early Spring and Autumn period, Middle Spring and Autumn period, late Spring and Autumn period to early warring States period, Middle warring States period to late warring States period. The second section summarizes the evolution of the main ornaments in three Jin and two weeks. The third chapter analyzes the characteristics and cultural factors of decoration. First of all, the Jin and Han, Zhao, Wei bronze decoration characteristics. Then it analyzes the cultural factors of bronze container decoration in Sanjin two-week area, and clarifies the source of bronze container decoration cultural factor in Sanjin two-week area. Its cultural factors are mainly derived from Yu Zongzhou, but also influenced by the cultural factors of the North and the South. The fourth chapter is about the style and social background of the decoration. To some extent, bronze ware is full of history, culture and spirit, and ornaments are one of the main carriers of these images. The decoration shows the human spiritual civilization behind its artistic aesthetics. Through decoration, this paper briefly discusses the connotation reflected in the Eastern Zhou Dynasty's ritual collapse, secularization and vitality, as well as the thought of rising to heaven.
【学位授予单位】：陕西师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：K876.41

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