十里红妆—清代宁绍地区漆艺嫁妆研究

发布时间：2018-06-16 20:36

本文选题：清代 + 十里红妆　；参考：《中国美术学院》2011年硕士论文

【摘要】：清代宁绍地区婚俗中盛行“十里红妆”,嫁妆家具的排场规模庞大,大到千工床、房前桌、红橱、床前橱、衣架、春凳、马桶、子孙桶、梳妆台等,小到日用小木器、女工用的针头线脑等一应俱全。“十里红妆”的整套器物都是用“一两黄金三两朱”的朱漆髹涂,用黄金点染,红金相间,显得非常喜庆和高贵。“十里红妆”在一定程度上意味着明媒正娶,象征了女主人在夫家的身份和地位,从另一个程度上,“十里红妆”不仅是联姻两家直观地炫耀富裕程度的比对及象征,更是与中国古代婚俗中的联姻制度直接相关。
[Abstract]:In the wedding customs of Ningshao area in Qing Dynasty, "ten li red dowry" prevailed. The scale of dowry furniture was huge, ranging from Qiangong bed, room front table, red cupboard, bed closet, clothes rack, spring stool, toilet, descendant bucket, dresser, etc., to small wooden articles for daily use. All the needlework used by women workers is complete. The whole set of "ten li red makeup" is painted with a "one or two gold two or two" ink lacquer, dyed with gold dots, red and gold, it appears very happy and noble. To a certain extent, "Shili Red makeup" means that the Ming media is marrying, symbolizing the status and status of the hostess in her husband's family. To another extent, "Shili Red makeup" is not only a comparison and symbol of the degree of affluence between the two marriage families. It is also directly related to the marriage system in ancient Chinese marriage customs.
【学位授予单位】：中国美术学院
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：K876.7;J527

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