新疆阿斯塔那336号唐墓“黑人”俑及相关问题的再考察

发布时间：2018-06-17 04:35

本文选题：阿斯塔那 + 唐墓　；参考：《中国国家博物馆馆刊》2017年04期

【摘要】：前贤关于新疆吐鲁番阿斯塔那336号唐墓"黑人"俑的研究主要围绕俑的服饰、族属和身份展开,并未涉及俑的表现程式及其具有的含义可能存在变化等问题。本文尝试在归纳整理唐墓出土的"黑人"图像(俑和壁画)的基础上,从图像出发,通过对"黑人"俑的分型分式,探讨俑的渊源和演变。提出"黑人"图像可以上溯至南朝时期,主要出现在北朝至唐玄宗时期,唐代"黑人"俑的表现程式存在着不断被复制和改造的过程。图像中的"黑人"表现的只是深肤色者;细螺旋状发表现的可能只是体质人类学上的"波发",并不代表非洲黑人的"卷发";大眼与突出的眼白也用于描绘胡人。据此推测,阿斯塔那336唐墓和西安裴氏小娘子墓出土的"黑人"俑表现的很可能不是非洲黑人,而是南亚或南海诸岛的居民。
[Abstract]:The former Xian's research on the "black" figurines of Astana 336 Tang Tomb in Turpan, Xinjiang mainly revolved around the costumes, clan and identity of the figurines, and did not involve the possible changes in the performance patterns and the meanings of the figurines. On the basis of summing up the black images (figurines and murals) unearthed from the tombs of the Tang Dynasty, this paper attempts to discuss the origin and evolution of the figurines through the classification of the figurines. It is pointed out that the "black" images can be traced back to the Southern Dynasty, mainly in the Northern Dynasty to the Tang Xuanzong period, and the performance of the "Black" figurines in the Tang Dynasty has been constantly reproduced and modified. The "black" in the image shows only the dark-skinned person; the fine spiral hair may only represent the "curly hair" of the physical anthropology and does not represent the "curly hair" of the African blacks; the large eyes and prominent eye whites are also used to describe the Hu people. Based on this, it is speculated that the "black" figures unearthed from Astana 336Tang Tomb and Xi'an Pei's Little Lady Tomb may not be African blacks, but residents of South Asia or South China Sea islands.
【作者单位】：南京大学历史系;
【分类号】：K878.8

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