咸阳出土北周《魏故南秦刺史成君碑》疏证
本文选题:咸阳 + 北周 ; 参考:《中国国家博物馆馆刊》2014年02期
【摘要】:咸阳出土北周保定四年(564年)《魏故南秦刺史成君碑》,为存世不多的北周碑版增添了一例年代较早的历史物证,也为研讨西魏北周之间的史事与人物,特别是梳理南秦州刺史成氏家族提供了重要的文献依据,而其书法样式也足以见证当时长安地区的流行风尚。因为此碑在内容上的最大特点是为北魏南秦州刺史成君和他的两位胞弟、一位堂弟和一位侄子共同下葬而建立的家族墓碑,故本文的考证一是侧重于成君的家族与人物,以此见证族源为匈奴后裔的成氏一族乃是有功于北魏的上谷豪族;二是侧重于这些人物所参与的重大史事,譬如碑文所记中坚将军成尊和领兵"征梁、汉,与吴贼兰钦交阵"乃是南梁与西魏在汉中南郑的一次重要战事,适可与正史互为补证,并能见证当时战争的惨烈悲壮。此外,碑文有"内辩三乘,外明六史"之说,故关于"六史"的称谓在内涵上究竟是指文献还是指职官,也是文章注重分析的一个问题。当然,还值得留意的就是此碑的书法,楷书中尚未尽脱北魏笔致而又有受到北齐影响的隶书意趣,堪称北周碑版墓志书法中最为峻整者,并足以见证这样一种受南朝书风影响而在北周都城长安地区营造出来的书法时尚与主流样式。
[Abstract]:The four years (564) of Baoding, Northern Zhou Dynasty unearthed in Xianyang, "the Wei, the Southern Qin thorn history becomes the monarch tablet", has added an early historical material evidence for the Northern Zhou Dynasty tablet edition which has not many existing world, and also is for studying the historical events and the personages between the Western Wei and the Northern Zhou Dynasty. Especially combing the south Qinzhou thorn history Cheng family provides the important literature basis, and its calligraphy style also can witness the popular fashion of Changan area at that time. Because the biggest characteristic of this monument in content is the family tombstone set up for the burial of Cheng Jun and his two cousins, a cousin and a nephew in the Southern Qin Prefecture of the Northern Wei Dynasty, so the textual research in this paper focuses on the family and characters of Cheng Jun. The Cheng clan, which bears witness to the origin of the Huns as a descendant of the Xiongnu nationality, is the Shangguhao clan who has made contributions to the Northern Wei Dynasty. The second is to focus on the important historical events in which these figures are involved, such as the inscription of the inscription on the inscription of the central general, Cheng Zun, and the leader of the army. "the Han Dynasty," It was an important battle between the Southern Liang and the Western Wei Dynasty in Nanzheng, Hanzhong. It could be used as a complement to the official history, and could witness the tragic and tragic war at that time. In addition, the inscription has the theory of "internal argument three times, external Ming six history", so whether the connotation of "six history" refers to the literature or the official, is also a problem that the article pays attention to analysis. Of course, it is also worth paying attention to the calligraphy of this monument. The script in regular script, which has not yet been completely removed from the pen of the Northern Wei Dynasty and has been influenced by the Northern Qi Dynasty, is the most austere of the epitaph calligraphy in the Northern Zhou Dynasty. It can witness the fashion and mainstream style of calligraphy created in Changan area of the capital city of Northern Zhou Dynasty under the influence of the style of calligraphy in the Southern Dynasty.
【作者单位】: 西安碑林博物馆;北京大学艺术学院;
【分类号】:K877.42
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