荆楚龙凤图形纹饰的基本形式及其演变规律

发布时间：2018-06-24 03:39

本文选题：荆楚文化 + 凤图形　；参考：《武汉理工大学》2010年硕士论文

【摘要】： 中国是一个具有五千年悠久文化历史、幅员辽阔的多民族国家,中国的地域民族文化的底蕴是非常浓厚的。荆楚文化作为中国南方文化的代表,更是中国传统文化的一颗璀璨的明珠。对荆楚文化的研究既是对中国浓重深厚的传统文化的深入了解,也可以更好的向世界展示我们伟大祖国的文化瑰宝,让世界更加的了解中国,了解中国文化。荆楚文化历史悠久、源远流长。本文正是以此为出发点来研究荆楚文化中龙凤图形纹饰的基本形式及其演变规律,以明确荆楚文化龙凤图形的代表符号,便于以后的研究和运用。不同的文化背景,不同的地域背景,不同的时期背景就会产生不用文化形式。一个民族对某种纹饰的信仰和崇拜正是这个民族文化背景、地域文化的最好反映,所以荆楚文化下的龙凤图形纹饰也就是楚人所创造的荆楚文化的最好反映之一。本文正是以此为出发点来论述研究荆楚文化下的龙凤图形纹饰,以期通过对荆楚文化的地域背景、时期背景和大量的图片相结合来比较分析,可以得出荆楚文化下龙凤图形纹饰基本形式特征。本文主要有两个论述要点：首先是通过对当时的时代背景、图形纹饰的主要适用人群和主要载体进行大量的分析,同时结合相应的图片,得出荆楚龙凤图形纹饰的基本形式特征。通过荆楚龙凤图形纹饰的基本特征也可以反映楚人当时的社会形态、生活背景和他们的信仰,同时也可以从中分析得出楚人崇凤,对凤怀有特殊喜爱情感的原因；其次,本文的另一个论述重点就是结合不同时期和不同地域下的龙凤图形纹饰进行对比分析,得出荆楚龙凤图形纹饰的时期和地域演变规律。将楚地的龙凤图形纹饰同中原、巴蜀和吴越三地的龙凤图形纹饰进行对比分析,得出不同地域文化背景下所产生的龙凤图形纹饰的基本形式特征的差异和相似之处。在将春秋战国时期荆楚龙凤图形纹饰同前一个时期(商周时期)和后一个时期(秦汉时期)的龙凤图形纹饰对比分析,从而得出荆楚龙凤图形纹饰的时期演变规律,得出不同时期背景对荆楚龙凤图形纹饰的基本形式特征有哪些影响以及不同时期背景下荆楚龙凤图形纹饰的差异和相似之处。通过对荆楚龙凤图形纹饰的时期和地域演变规律的总结分析,可以对荆楚龙凤图形纹饰做一个整体的把握,也可以对荆楚文化有一个更深的了解。
[Abstract]:China is a multinational country with a long cultural history of five thousand years and a vast territory. Jingchu culture, as a representative of southern Chinese culture, is a bright pearl of Chinese traditional culture. The study of Jingchu culture is not only a deep understanding of Chinese traditional culture, but also a better display to the world of the cultural treasures of our great motherland, so that the world can learn more about China and Chinese culture. Jingchu culture has a long history and has a long history. This paper takes this as the starting point to study the basic form and evolution law of dragon and Phoenix figure patterns in Jingchu culture, so as to make clear the symbol of dragon and Phoenix figure in Jingchu culture, which is convenient for future research and application. Different cultural background, different regional background, different time background will produce no cultural form. The belief and worship of a nation to a certain decoration is the best reflection of this national cultural background and the regional culture, so the dragon and Phoenix figure pattern decoration under the Jingchu culture is one of the best reflection of the Jingchu culture created by the Chu people. This paper is based on this to discuss the study of dragon and Phoenix patterns in Jingchu culture, in order to compare and analyze the geographical background, period background and a large number of pictures of Jingchu culture. We can get the basic form characteristics of dragon and Phoenix figure patterns in Jingchu culture. There are two main points in this paper: firstly, through the analysis of the background of the times, the main applicable crowd and the main carrier of the pattern decoration, and combining with the corresponding pictures, The basic form characteristics of Jingchu dragon and Phoenix figure ornaments are obtained. The basic features of Jingchu dragon and Phoenix figure patterns can also reflect the social formation, life background and their beliefs of Chu people at that time. At the same time, we can also analyze the reason why Chu people worship Phoenix and have special affection for Phoenix. Secondly, Another key point of this paper is to compare and analyze the patterns of dragon and Phoenix in different periods and different regions, and to obtain the evolution law of dragon and Phoenix patterns in Jingchu. Comparing the dragon and Phoenix patterns of Chu with those of Central Plains, Bashu and Wuyue, the differences and similarities of the basic form characteristics of dragon and Phoenix patterns produced under different regional cultural backgrounds were obtained. In the Spring and Autumn period and warring States period Jingchu dragon and Phoenix figure pattern decoration with the previous period (Shang and Zhou period) and the latter period (Qin and Han dynasties) dragon and Phoenix figure pattern decoration comparative analysis, thus obtains Jingchu dragon and Phoenix figure pattern period evolution rule, The influence of the background of different periods on the basic formal characteristics of Jingchu dragon and Phoenix patterns and the differences and similarities between the patterns of Jingchu dragon and Phoenix patterns in different periods were obtained. Through summing up and analyzing the evolution law of Jingchu dragon and Phoenix figure pattern, we can make a whole grasp of Jingchu dragon and Phoenix figure pattern decoration, and can also have a deeper understanding of Jingchu culture.
【学位授予单位】：武汉理工大学
【学位级别】：硕士
【学位授予年份】：2010
【分类号】：K877

【引证文献】