宋代仿古青铜礼器研究

发布时间：2018-06-24 23:45

本文选题：宋代 + 青铜礼器　；参考：《中国艺术研究院》2011年硕士论文

【摘要】：本文以宋代仿古青铜礼器作为研究对象,分四个章节来进行研究。第一章对宋代仿古青铜礼器进行概述,按传世器、出土器以及史料记载器三类器物对宋代仿古青铜礼器进行概述,尽可能全面而真实地展示宋代仿古青铜礼器的概貌。这些器物中有101件为北宋徽宗所制,9件为南宋官府所制,89件为南宋民间所制。第二章从器形、纹饰、铭文三个方面对宋代仿古青铜礼器进行类型学研究,归纳出宋代仿古青铜礼器的类型以及纹饰种类,并对铭文的字数、位置和内容格式进行分析。宋代仿古青铜礼器的器形可分为鼎、(？)、鬲等15类：纹饰种类繁多,不仅有三代青铜器中常见的纹饰,还有一些比较不常见的类型；铭文的字数集中在20到40字,不同器物铭文的位置不大一样,内容的格式一般为“时间+作器人+作器+用途+祝愿辞”。第三章分析了宋代仿古青铜礼器大量出现的原因,从文化、政治和经济三种因素入手,以揭示为什么在宋代有大量仿古青铜礼器出现。士人收藏古代青铜器并为之制作图录为宋代仿古青铜礼器的产生提供了基础,而宫廷中掌管礼制的官员所意识到的有司使用的器物与士人收藏和著录的古器不同引发了仿古青铜礼器的大规模制造,皇帝的大力支持给仿古青铜礼器强大的后盾。铜器所带有的经济价值,使得民间人士也制造青铜器,让民间仿古青铜礼器也有所发展。第四章讨论了宋代仿古青铜礼器的仿古与创新之处,本章将器物分为北宋器、南宋器两类来讨论该问题。现可见到形制的北宋器物全为宋徽宗朝所制作,器形与纹饰均仿古,在《重修宣和博古图》中都可以找到仿造的原型,但又不是完全仿造,具有自己的特点。南宋时所造之器开始呈现不一样的创新,仿造的器形不局限在三代铜器,也仿造汉代器物,而南宋民间器物的纹饰更是大量采用了其他材质器物上的纹饰。总之,本文在对宋代仿古青铜礼器这一物质实体本身进行较为充分、细致分析的同时,也对宋代仿古青铜礼器大量出现的原因以及它们的仿古创新状况做了专门的分析与研究。
[Abstract]:This article takes the ancient bronze ritual ware as the research object, divides into four chapters to carry on the research. The first chapter summarizes the ancient bronze ritual ware of the Song Dynasty, and summarizes the ancient bronze ritual ware of the Song Dynasty according to the three kinds of objects, which are handed down, unearthed and historical records, so as to show the general picture of the ancient bronze ritual ware in the Song Dynasty as comprehensively and truly as possible. Of these, 101 pieces were made by Huizong in the Northern Song Dynasty and 9 pieces were made by the government of the Southern Song Dynasty. 89 pieces were made by the folk people in the Southern Song Dynasty. In the second chapter, the types of ancient bronze ritual ware in Song Dynasty are studied from three aspects: shape, decoration and inscription, and the types and types of ornaments are summed up, and the number, position and content format of inscriptions are analyzed. There are 15 types of bronze ritual vessels in the Song Dynasty, such as tripod, (?), GE and so on. There are many kinds of ornaments, not only common patterns in three generations of bronze ware, but also some less common types. The number of words in inscriptions is concentrated in 20 to 40 characters. The location of different inscriptions is different, the format of content is generally "time as a device for the use of wishes." The third chapter analyzes the reasons for the emergence of bronze ritual vessels in Song Dynasty, starting with cultural, political and economic factors, to reveal why there were a large number of ancient bronze ritual objects in Song Dynasty. The scholars collected ancient bronze vessels and made pictures for them, which provided the basis for the creation of ancient bronze ritual vessels in the Song Dynasty. However, the officials in charge of the ritual system in the court realized that the objects used by the court were different from those collected and recorded by the scholars, which led to the large-scale manufacture of the antique bronze ritual ware, and the strong support of the emperor gave powerful backing to the antique bronze ritual ware. Because of the economic value of bronze ware, folk people also made bronze ware, so that folk ancient bronze ritual ware also developed. The fourth chapter discusses the imitation and innovation of ancient bronze ritual ware in Song Dynasty, which is divided into Northern Song Dynasty and Southern Song Dynasty. Now it can be seen that all the artifacts of the Northern Song Dynasty were made by the Song Dynasty Huizong Dynasty. The shapes and ornaments of the wares were all archaic. The prototype of imitation can be found in "reconstructing Xuan and Bogu Pictures", but it is not completely imitated and has its own characteristics. The artifacts made in the Southern Song Dynasty began to present different innovations. The imitation of the vessels was not limited to the three generations of bronze ware, but also the Han Dynasty artifacts, and the Southern Song Dynasty folk ware ornaments are a large number of other materials used on the ornaments. In a word, this paper makes a full and detailed analysis of the material entity of ancient bronze ritual ware in Song Dynasty, and at the same time, makes a special analysis and research on the reasons for the emergence of the bronze ritual vessels in the Song Dynasty and their innovations in the imitation of the ancient times.
【学位授予单位】：中国艺术研究院
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：K876.41

【参考文献】