文人用砚的设计艺术研究
发布时间:2018-06-25 15:41
本文选题:砚 + 文人雅趣 ; 参考:《苏州大学》2011年硕士论文
【摘要】:任何一件设计造物,无论从它们的产生、发展、兴盛、衰落来看,还是从产量、材料、形制、装饰看,它们的变化都与社会政治、经济、文化、生活背景紧密的联系在一起。然而,砚是一个古老文化的载体,砚文化是颇为独特和复杂的文化现象,必须联系复杂的历史背景和文化环境对其进行全面的考察。砚作为独特的人类物质文化和精神文化的产物,从砚本身来说,与文化因素的关联性明显的要大于其它因素的影响;从与其他造物艺术比较来说,它也更能彰显出文化深层的内涵。 通过研究砚的设计艺术与文化、文人的关系,试图探寻出其与文化因素深厚的关联性,以便能够更清晰的看到中国文人用砚的发展脉络以及它所凝聚的中国文化独有气质和性格。
[Abstract]:Any design creation, whether from their generation, development, prosperity, decline, or from the output, materials, shape, decoration, their changes are closely related to social politics, economy, culture, life background. However, inkstone is a carrier of ancient culture, and inkstone culture is a rather unique and complex cultural phenomenon, which must be comprehensively investigated in connection with the complicated historical background and cultural environment. As a unique product of human material culture and spiritual culture, the ink stone itself is more closely related to cultural factors than other factors. It also shows the deep connotation of culture. By studying the relationship between the design art and culture of inkstone and the literati, the author tries to find out the deep relationship between the design art and cultural factors. In order to see more clearly the development of Chinese literati ink stone and the unique temperament and character of Chinese culture.
【学位授予单位】:苏州大学
【学位级别】:硕士
【学位授予年份】:2011
【分类号】:K875.4
【参考文献】
相关期刊论文 前2条
1 谭秀江;中国古代设计思想泛论[J];华南理工大学学报(社会科学版);2000年01期
2 周世全;砚文化及其在中国文明史中的地位[J];南阳师范学院学报;2005年02期
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