徐汉漆器的文化情境分析

发布时间：2018-07-20 16:31

【摘要】：汉代徐州楚王陵墓出土漆器与南方相比较少,但徐汉漆器的社会性"同制京师",富有地域特色的它不仅含有楚系艺术特色,还兼收它域思想文化。通过借助考古情境分析方法及互动仪式链理论,以出土漆器资料为基础,并结合文献资料及其他相关文献对徐州汉墓出土漆器进行整理与研究,力图还原汉代徐汉漆器制造、使用传统与文化情境。在阐释中发现,徐汉漆器被发现或未被发现的文化情境不仅指向徐汉文化系统内部京师化、地域化与多元化并存的多重特征,还指引对漆器的物质、时间与空间的物体系研究从微观艺术学向宏观社会学迈进。
[Abstract]:In the Han Dynasty, the lacquer ware unearthed from the tomb of the king of Chu in Xuzhou was less than that in the south, but the sociality of the lacquer ware in the Han Dynasty was "the same as the master of the capital." it had regional characteristics, which not only contained the artistic characteristics of Chu system, but also accepted the ideological culture of other regions. Through the method of archaeological situation analysis and the theory of interactive ritual chain, based on the unearthed lacquer ware data, and combining with the literature and other relevant documents, the author collates and studies the lacquer ware unearthed in Xuzhou Han Tomb in order to restore the manufacture of the lacquerware in the Han Dynasty. Use traditional and cultural situations. In the interpretation, it is found that the cultural situation in which Xu Han lacquer ware was discovered or undiscovered not only pointed to the multiple characteristics of the internal capital division, regionalization and diversification in the Xuhan culture system, but also guided the matter of lacquer ware. The study of material system of time and space advances from micro art to macro sociology.
【作者单位】：江苏师范大学传媒与影视学院;
【基金】：2013年教育部艺术规划课题“汉唐丝绸之路漆艺文化研究”(13YJA760018) 2014年度国家社科基金艺术学项目“宋元明清海上丝绸之路与漆艺文化研究”(14BG067) 2014年徐州市哲学社会科学研究课题(14XSZ-052)阶段性成果
【分类号】：K876.7

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