西藏常啼菩萨精进求法本生故事壁画思想意涵考述——以塔波寺杜康殿和托林寺白殿为中心
发布时间：2018-07-22 15:04
【摘要】：常啼菩萨精进求取般若波罗蜜多经之本生故事在印度、尼泊尔、西藏、中亚以及汉地皆有传存。在西藏,与此相关的壁画遗存不仅见之于西藏西部的塔波寺、托林寺以及后藏地区的白居寺,而且以彩绘形式表现该故事内容情节的抄本插画更是鲜见于西藏各大寺院所藏的大般若经书中。文章基于《般若经》在藏地的翻译、流布及常啼菩萨本生故事内容的考察,通过对不同时代、不同地域常啼菩萨本生故事壁画与经书插图之图像配置和表现形式的分析比对,从图像学的角度来探讨该故事在藏传佛教传承体系中的思想演变与功能意涵。
[Abstract]:The native life story of Paramita has been spread in India, Nepal, Tibet, Central Asia and the Han region. In Tibet, the related mural remains are not only found in the Tapo Temple in western Tibet, the Toulin Temple in Tibet, and the Baiju Temple in the Houzang region. Moreover, the manuscripts illustrating the story in the form of painting are rarely found in the great Prajna sutras in Tibetan monasteries. Based on the translation of Prajna Sutra in Tibet and the investigation of the content of the stories of Bodhisattva Bensheng, this paper analyzes and compares the image configuration and expression forms of the frescoes of Bodhisattva's stories and illustrations of scriptures in different times and different regions. This paper discusses the ideological evolution and functional implication of the story in Tibetan Buddhism inheritance system from the perspective of graphics.
【作者单位】： 浙江大学汉藏佛教艺术研究中心;
【基金】：2015年度国家社会科学基金重大项目“文物遗存、图像、文本与西藏艺术史构建”阶段性成果,项目号:15ZDB120
【分类号】：B948;K879.41
本文编号：2137849
[Abstract]:The native life story of Paramita has been spread in India, Nepal, Tibet, Central Asia and the Han region. In Tibet, the related mural remains are not only found in the Tapo Temple in western Tibet, the Toulin Temple in Tibet, and the Baiju Temple in the Houzang region. Moreover, the manuscripts illustrating the story in the form of painting are rarely found in the great Prajna sutras in Tibetan monasteries. Based on the translation of Prajna Sutra in Tibet and the investigation of the content of the stories of Bodhisattva Bensheng, this paper analyzes and compares the image configuration and expression forms of the frescoes of Bodhisattva's stories and illustrations of scriptures in different times and different regions. This paper discusses the ideological evolution and functional implication of the story in Tibetan Buddhism inheritance system from the perspective of graphics.
【作者单位】： 浙江大学汉藏佛教艺术研究中心;
【基金】：2015年度国家社会科学基金重大项目“文物遗存、图像、文本与西藏艺术史构建”阶段性成果,项目号:15ZDB120
【分类号】：B948;K879.41
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