陕北汉画像石造型艺术研究
发布时间：2018-08-03 16:20
【摘要】： 在中国传统民间艺术作品当中,以汉画像石、汉画像砖为主的汉代画像艺术,因其深厚的文化内涵和特殊的艺术魅力著称于世。其中分布于陕北地区的汉画像石更是由于独特的地理、人文等因素,在发展的过程中,逐步形成了自己特有的造型手法和造型特征,既承载着汉代蓬勃奋进的时代风格;又反映了陕北地区独特的人文观念、民俗民风。正是由于陕北汉画像石造型艺术具有这样的艺术特质和价值,对其造型进行的搜集、整理、保护、研究和借鉴具有重要的意义。 本课题以出土于陕西省陕北地区:绥德、米脂、榆林、神木大保当等地的汉画像石造型艺术为研究对象。通过实地考察,历史文献搜集、整理,运用文献考释、美术考古、美术学等跨学科研究的方法,以民间美术的造型观为切入点,回顾中国汉代艺术的典型造型。深入的归纳与总结出陕北汉画像石造型艺术的基本特征、造型方法、审美意蕴;并与同一时期分布于其他地区的汉画像石造型艺术,以及流传至今的陕北民间造型艺术如:剪纸、石刻等,进行详细比较,进一步的挖掘汉民族更深层次的视觉审美意识原型。并探讨陕北汉画像石造型艺术所体现出的独特视觉审美在现代设计中的有益启示和价值所在。
[Abstract]:Among Chinese traditional folk art works, Han Dynasty portrait art, which is mainly composed of stone and brick, is famous in the world for its profound cultural connotation and special artistic charm. In the process of development, the stone relief of Han Dynasty, which is distributed in the north of Shaanxi, has gradually formed its own unique modeling techniques and characteristics, which bears the vigorous and progressive style of the Han Dynasty because of its unique geographical and humanistic factors. It also reflects the unique humanistic concept and folk customs in northern Shaanxi. It is precisely because the stone sculpture art of Northern Shaanxi Han Dynasty has such artistic characteristics and value that it is of great significance to collect, arrange, protect, study and draw lessons from its modeling. The research object of this paper is the Han stone sculpting art unearthed in Northern Shaanxi Province: Suide, Mizhi, Yulin, Shenmu Dabodong and so on. Through the field investigation, historical literature collection, collation, the use of literature research, art archeology, fine arts and other interdisciplinary research methods, with the folk art modeling concept as a breakthrough point, the review of the Chinese Han Dynasty art typical modeling. The basic features, modeling methods, aesthetic implications of the stone sculpture art in Northern Shaanxi are summarized and summarized, and the Han stone sculpture art distributed in other areas in the same period. And the folk plastic arts of Northern Shaanxi, such as paper-cut and stone carvings, are compared in detail to further excavate the deeper visual aesthetic consciousness archetype of Han nationality. It also discusses the beneficial enlightenment and value of unique visual aesthetics in modern design.
【学位授予单位】：西安美术学院
【学位级别】：硕士
【学位授予年份】：2010
【分类号】：K879.4
本文编号：2162298
[Abstract]:Among Chinese traditional folk art works, Han Dynasty portrait art, which is mainly composed of stone and brick, is famous in the world for its profound cultural connotation and special artistic charm. In the process of development, the stone relief of Han Dynasty, which is distributed in the north of Shaanxi, has gradually formed its own unique modeling techniques and characteristics, which bears the vigorous and progressive style of the Han Dynasty because of its unique geographical and humanistic factors. It also reflects the unique humanistic concept and folk customs in northern Shaanxi. It is precisely because the stone sculpture art of Northern Shaanxi Han Dynasty has such artistic characteristics and value that it is of great significance to collect, arrange, protect, study and draw lessons from its modeling. The research object of this paper is the Han stone sculpting art unearthed in Northern Shaanxi Province: Suide, Mizhi, Yulin, Shenmu Dabodong and so on. Through the field investigation, historical literature collection, collation, the use of literature research, art archeology, fine arts and other interdisciplinary research methods, with the folk art modeling concept as a breakthrough point, the review of the Chinese Han Dynasty art typical modeling. The basic features, modeling methods, aesthetic implications of the stone sculpture art in Northern Shaanxi are summarized and summarized, and the Han stone sculpture art distributed in other areas in the same period. And the folk plastic arts of Northern Shaanxi, such as paper-cut and stone carvings, are compared in detail to further excavate the deeper visual aesthetic consciousness archetype of Han nationality. It also discusses the beneficial enlightenment and value of unique visual aesthetics in modern design.
【学位授予单位】：西安美术学院
【学位级别】：硕士
【学位授予年份】：2010
【分类号】：K879.4
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