清代晋作家具艺术特征研究

发布时间：2018-08-20 14:54

【摘要】：在中国古典艺术门类中,家具无疑是集实用和艺术为一体的最具代表性的一种。述及家具,晋作家具形象万千,或易传承,典雅安逸,兼备两全,以其深厚的文化底蕴和艺术风格被众多专家和学者称道。山西是中华民族黄河流域文化的发祥地之一,凝聚三晋文化的晋作家具就诞生在这块黄土地上,经继承、演变、发展,形成了自己的独特风格。通过收集的晋作家具有关资料表明,与被誉为家具三大流派的广作、京作、苏作家具相比,晋作家具作为我国古典家具的另一个重要的分支流派,无论在文物、考古、收藏界还是在古玩市场上,早已引起人们的重视,但未能更深入更细致的对研究晋作家具进行探索和研究。随着山西区域经济发展,山西收藏市场逐渐繁荣。近年晋作家具逐步受到大众青睐,其收藏价值也因物以稀为贵而稳步上升。在这种趋势下,山西地区博物馆收藏的晋作家具珍品逐渐增多,但同时真伪家具充斥收藏市场。经过翻阅资料和实地考察,晋作家具研究偏重于收藏知识、家具图样等方面,而在晋作家具基础性研究方面较为欠缺。本文在前人研究成果的基础上,通过类型学方法,对明清晋作家具进行基础研究,探究明清晋作家具的定义、起源及发展、分布与流传,以及材质特征、类型风格和分期特征等内容,以期更加系统地做好清代晋作家具的基础性研究,在一定程度上为晋作家具藏品研究以及收藏提供资料,同时揭示家具在某种程度象征了地域经济、文化的发展,延续着地域性的历史特点和文化传承,达到展现晋作家具的独特的艺术魅力,弘扬晋作家具衍射出的三晋文化内涵的目的。
[Abstract]:In Chinese classical art category, furniture is undoubtedly the most representative of practical and artistic integration. As to furniture, Jin made furniture image, or easy to pass on, elegant and comfortable, both sides, with its profound cultural heritage and artistic style by many experts and scholars praise. Shanxi is one of the birthplaces of the Yellow River Valley culture of the Chinese nation. The Jin Dynasty, which condensed the culture of the three Jin dynasties, was born on this yellow land. Through inheritance, evolution and development, Shanxi formed its own unique style. Through the collection of relevant information on furniture in Jin Dynasty, it is shown that compared with the widely known furniture, Jingzuo and Suzhou-made furniture, Jin furniture is another important branch of classical furniture in China, whether in cultural relics or archaeology. Collection is still in the antique market, has attracted people's attention, but has not been more in-depth and meticulous research on Jin furniture exploration and research. With the development of Shanxi's regional economy, Shanxi's collection market is flourishing gradually. In recent years, Jin furniture gradually favored by the public, its collection value because of the rare and steady rise in value. In this trend, Shanxi Museum collections of Jin furniture treasures gradually increased, but at the same time, the collection market filled with genuine and fake furniture. After reading the materials and investigating on the spot, the research of Jin furniture is focused on collecting knowledge, furniture drawing and so on, but lacking in the basic research of Jin furniture. Based on the previous research results, this paper, through typology, carries on the basic research to the Ming and Qing Dynasty Jin furniture, and probes into the definition, origin and development, distribution and spread, as well as the material characteristics of the Ming and Qing Jin furniture. In order to do the basic research of Jin furniture in Qing Dynasty more systematically and to a certain extent, it can provide information for the research and collection of Jin furniture collection. At the same time, it is revealed that furniture symbolizes the development of regional economy and culture to a certain extent, and continues the historical characteristics and cultural heritage of the region, so as to show the unique artistic charm of making furniture in Jin Dynasty. The purpose of carrying forward the cultural connotation of the three Jin dynasties by diffracting the furniture of Jin Dynasty.
【学位授予单位】：山西大学
【学位级别】：硕士
【学位授予年份】：2011
【分类号】：J525.3;K876

【参考文献】