殷周青铜器纹饰的文化透视

发布时间：2018-08-28 16:14

【摘要】：殷周二代处于中国青铜文化的鼎盛时期,其为后人留下了数以万计的青铜宝器。这些吉金瑰宝是殷周文化最为重要的载体之一,其或刻勒字铭,或铸镂文图,为我们留下了关于殷周二代的历史文化方面丰富而翔实的实物资料,弥补了研究殷周两代历史所面临的文献不足的缺陷。器型、铭文、纹饰是构成青铜器研究的的三大要素,自有宋一朝迄今,从金石学至今之考古学,对青铜器的研究虽历经千年,但一直没有摆脱重铭文轻纹饰的研究弊端——其或重纹饰在考古断代中的器型分类,抑或纠缠在在探讨饕餮纹、夔龙纹等一两种纹饰的名实问题上,鲜有对青铜器纹饰的系统的整理考察和深层次的文化因子探究。青铜器纹饰除了美学价值和器型断代价值之外,还包含着人类学、社会学、民俗学等诸多方面的信息,是殷周先民思想观念、宗教意识、审美诉求、生产生活等的历史映射。本文试图通过对考古或传世出土的殷周青铜器,结合现有的考古资料,爬梳历史文献,来对殷周青铜器纹饰进行较为全面的文化考察,来探究殷周文化的特质及其对中国传统文化及华夏民族心理积淀的影响,以期更好地服务于今日之文化建设。本文主要包括以下六个部分：第一部分是绪论。主要简言选题的缘由及意义,综述古今中外对殷周青铜器纹饰的研究历程及研究现状,点出目前研究成果的薄弱点,并阐述了本文的研究方法、思路及创新之处。第二部分是殷周青铜器纹饰的概念和分类。首先阐释青铜纹饰的内涵和外延,并在对纹饰概念阐释的基础上再进行对纹饰和器物造型以及图像铭文、器物用途之间的关系探讨,把纹饰放在青铜器的整体中进行考察,以更好的发掘其文化内涵；其次在阐释青铜纹饰概念的基础上对青铜器纹饰分为集合物类纹饰、具象物类纹饰和几何纹饰和其他纹饰四大类。第三部分是对殷周青铜器纹饰的历史考察。首先笔者对殷周青铜纹饰的文化渊源进行探讨,将殷周青铜纹饰与史前陶器、玉器艺术之间的传承关系进行探讨,希冀求其源解其意；其次通过纵向的时间轴和立体的空间轴来介绍殷周青铜器纹饰产生的社会背景及其阶段性特点和地域性特征,可以让我们更好的理清殷周青铜器纹饰的流变,理解青铜器纹饰的嬗变的社会因素。第四部分探讨殷周青铜纹饰的创作的文化原理。主要对纹饰素材的选取及对青铜纹饰的产生和表现形式起到主要支配作用的农耕文明意识、政治、审美等文化因素进行分析。第五部分阐释殷周青铜器纹饰的文化功能。主要对青铜器纹饰所具有的政治、道德、审美、宗教四方面功能的论述,来展示青铜纹饰除在殷周社会生活中所起的作用。第六部分为本文结语部分,主要对全文内容做以总结概括,揭示本文立意主旨。
[Abstract]:The Yin and Zhou dynasties were at the height of Chinese bronze culture, leaving tens of thousands of bronze treasures for later generations. These golden treasures are one of the most important carriers of Yin and Zhou culture. They have left us with rich and solid material materials on the historical and cultural aspects of the Yin and Zhou dynasties. It makes up for the shortage of literature in the study of the history of Yin and Zhou dynasties. The patterns, inscriptions and ornaments are the three elements that constitute the study of bronzes. Since the Song Dynasty, the archaeology of bronze has been studied for thousands of years since the beginning of the Song Dynasty. But there has been no escape from the drawback of the study of heavy inscriptions and light ornaments-the classification of the instrumental types of heavy ornaments in archaeological dynasties, or the discussion of the name and substance of one or two ornaments, such as the gluttonous patterns, the Kui dragon lines, and so on. There are few systematic studies on bronze ornaments and deep cultural factors. In addition to aesthetic value and instrumental value, bronze ornaments also contain anthropology, sociology, folklore and many other aspects of information, which is a historical reflection of the ideology, religious consciousness, aesthetic appeal, production and life of the forefathers of Yin and Zhou dynasties. This article attempts to carry on the relatively comprehensive cultural investigation to the Yin and Zhou bronze ornaments through the archaeological or ancient unearthed bronze vessels of the Yin and Zhou dynasties, combined with the existing archaeological materials, and combed the historical documents to make a more comprehensive cultural investigation of the bronze ornaments of the Yin and Zhou dynasties. To explore the characteristics of Yin and Zhou culture and its influence on Chinese traditional culture and Chinese national psychological accumulation in order to better serve today's cultural construction. This article mainly includes the following six parts: the first part is the introduction. This paper briefly discusses the reason and significance of selecting the topic, summarizes the research history and present situation of the bronze ornaments in Yin and Zhou dynasties, points out the weak points of the current research results, and expounds the research methods, ideas and innovations of this paper. The second part is the concept and classification of bronze ornaments in Yin and Zhou dynasties. First of all, it explains the connotation and extension of bronze ornaments, and on the basis of explaining the concept of the ornaments, discusses the relationship between the patterns and objects, as well as the image inscriptions and objects, and puts the ornaments in the whole bronze ware. Secondly, on the basis of explaining the concept of bronze ornaments, bronze ornaments can be divided into four categories: collection ornaments, figurative ornaments, geometric ornaments and other ornaments. The third part is the historical investigation of bronze ornaments in Yin and Zhou dynasties. Firstly, the author probes into the cultural origin of the bronze ornaments of the Yin and Zhou dynasties, and probes into the inheritance relationship between the bronze ornaments of the Yin and Zhou dynasties and the art of prehistoric pottery and jade, in the hope of seeking its source and understanding its meaning. Secondly, through the longitudinal time axis and the three-dimensional space axis to introduce the social background, stage characteristics and regional characteristics of Yin and Zhou bronze ornaments, we can better clarify the rheology of Yin Zhou bronze ornaments. Understand the social factors of the evolution of bronze ornaments. The fourth part probes into the cultural principle of the creation of bronze ornaments in Yin and Zhou dynasties. This paper mainly analyzes the selection of decorative materials and the cultural factors such as the consciousness of agricultural civilization, politics, aesthetics and so on, which play a dominant role in the emergence and expression of bronze ornaments. The fifth part explains the cultural function of bronze ornaments in Yin and Zhou dynasties. This paper mainly discusses the political, moral, aesthetic and religious functions of bronze ornaments to demonstrate the role of bronze ornaments in the social life of Yin and Zhou dynasties. The sixth part is the conclusion of this paper, mainly summarizes the content of the text, reveals the purport of this article.
【学位授予单位】：陕西师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：K876.41

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